Recent content by ghosty999

The reason I went for Gotoh was the rest of the dimensions are exact. I can't confirm but after researching it, this seemed like the easiest option. OFR looked like a bit more routing and different posts I think. Dimensions for both: https://www.axebition.com/bridge/jackson-jt-580lp...

had to cut along the red line as the rear Intonation screws where resting on the body rather than inside the recess

Hell yeah

Hope this is useful!

Changed the Floyd Rose JT-580 LP to a Ghotoh GE1996T-33-BK in the Jackson Pro Series DK2M Dinky. Needed a tiny bit of routing in the trem recess and different posts. Apart from that was drop-in. I've seen some discussion in forums about whether this was possible as they are almost identical...

Corporate rock band releases pop track and forum of old rockers get grumpy. More news at 10....

Why I still use mine: 1. MIDI auto-patch switching 2. No pedals or cables on stage 3. Crystal clear IEM or FRFR wedge monitoring 4. Can run a tube amp and cab from the output 2 with no cab sim for moving air and feedback 5. Audience don't care 6. Reliable, consistent and instant 7. Can run...

Grab one of the AliExpress scalloped necks real cheap and try it out on a beater guitar body. That's how I tried it out at first.

2013 Fender Stratocaster '72 Reissue, Limited Edition (Vintage White) MIJ Japanese I've put in the YJM loaded pick guard in and extra jumbo stainless steel frets.

I've got the Fury's and YJM pots in mine. Neck is silky and fluid, the bridge is biting and spanky. They are all wired differently so it's best to get the 3 set. The fast volume pot is a lot of fun for violining.

Huge Symphony X fan here If you enjoyed that also check out 90s Stratovarius. Or the new Angra albums have some epic/heavy/classical parts.

I totally get it. I often miss the natural tempo sway of playing completely live. But then again, I also can't stand drummers who ramp up the speed jarringly. The "middle ground" option I used was having a single MIDI Mouse pedal on stage with a Patch UP and Patch DOWN. Then on the AxeFX just...

I try to approach it as logically as possible, asking myself questions like... Will anyone care? Do I care? Will it all sound shit anyway once pumped through a PA? What is least likely to cause problems? etc etc I've found overtime that no one gives a shit what you use as they aren't at a show...

I agree. Personally, his tone also sucks. Always has done. It's like a shrieking, thin, fizzy sound. Not helped by the fact he uses the Sustainer which can add a crap tonne of harmonics using the switch. It always sounds to me like a really poorly set up Solid State combo or something. Hard to...

Larry should work in porn the length of time it takes him to bust a nut (or solder a PCB)