Ughhh.... I hate to be a weeb... but Ochanomizu doesn't mean guitar street. It means tea water; some old boy made a cup of tea from the river flowing through the area once, and that's how it was named.
I love Ochanomizu though. I go there at least 2 or 3 times whenever I'm in Japan. English...
They're very different amps tbh. I'm not sure I'd compare a Diezel to a VHT - totally different sound.
I've got a VH4, D-Moll, and a Hagen... and to be perfectly honest with you, I've not played them that much for the past year. I do like the VH4 the most out of them though.
The amps I've been...
I disagree.
You have to navigate this world through a process of making value judgements. Otherwise you're caught in stasis and never achieve enlightenment AKA brain-death.
I'm off to watch Mrs. Brown's Boys.
Cheers.
I can respect it. But it just isn't for me. I'm only 7 or 8 years older than this guy, not a mountain of time.... and to me.... I dunno... I want to be able to play a thing, record it, absolutely fucking smash the take, know that I achieved a great thing, commit it, and move onto the next...
I just got one. It arrived today. I also have an Axe FX III and have run it in 4-cable-method with my Diezel VH4, Marshall JVMJS, Mesa Boogie Dual Rectifier, and Mark V amps.
I am a big fan of the Axe FX III's delays and reverbs. But setting up the Axe III each time for practice and gigs is a...
I use these for drop-c and drop-b.
I also use 52-10 for drop-c and drop-d.
So basically for me it depends if I'm gonna wanna go up or down from drop-c, as to which ones I use. I've got three Les Paul's and two of them are drop-b/c and one of them is drop-d/c.