That's funny --It's my favorite , but I never said I had any taste !!V30's are about the worst speaker for an SLO-100.
That's funny --It's my favorite , but I never said I had any taste !!V30's are about the worst speaker for an SLO-100.
same here. this would DEFINITELY work in the mix (depending on the mix and context of course, primarily depends on the bass guitar sound).I actually like it . I feel weird after reading you all hate it ,
not the sound you choose for noodling while around the house, but in the mix
I really like it a lot
I like the highs but n this a lot too . Makes me want an slo againthis is why i think more "in the room" guys like SLO's, the lower mid hump and and kind of dry darker top end i usually hear im sure fills in a room nicely without being fatiguing, but i hear it and say thats not gonna work in a mix.
Yeah, the Depth control is just for in the room feel and fun at lower volume. I wouldn’t use it at band volume or when recording. And for people saying you need those extreme setting for an SLO to cut in a mix…..Not the speakers fault, it's the extreme settings. It's a fizz-fest.
If you're to crank anything, crank the Mids. Add Treble and Presence to get the bite.
I don't understand using the Depth control at all. All it does is eat away the other frequencies. Turn it off and dial in whatever low end you need w/ the Bass control. It's NEVER going to sound like a Marshall.
The Crunch on the SLO is a JCM 800 more or less.Not the speakers fault, it's the extreme settings. It's a fizz-fest.
If you're to crank anything, crank the Mids. Add Treble and Presence to get the bite.
I don't understand using the Depth control at all. All it does is eat away the other frequencies. Turn it off and dial in whatever low end you need w/ the Bass control. It's NEVER going to sound like a Marshall.
The Crunch on the SLO is a JCM 800 more or less.