Here are some of the things I’ve observed about Les Paul guitars after owning a custom and a ‘59 reissue and playing several throughout my life:
The 3x3 headstock looks cool but the design is dumb and begs for tension/binding issues at the nut.
90% of guitars come from the factory with a badly...
The crunch and OD channels on the new X88IR preamp are tighter/have more gain and the EQ has more range, so it’s easy to dial in high mids vs what’s available on the SLO-100
If you use a frontloaded V30 cab the sizzle comes back and it sounds a lot like a fat Marshall in that regard. I had the presence at noon in that setup and it had plenty of cut and bite.
The clunk comes from large bright caps on gain pots. They shave off bass frequencies and boost treble. I don’t think wizards use them, and if they do they’re in another part of the circuit.
I’m convinced the one amp that is Adam Jones’s tone in a box is the Fryette Deliverance. It checks all of the boxes.
@Simon Dorn Try the VH4 out with a Diezel cab if you can, particularly a frontloaded V30 model. Peter has told me he’s voiced the new models on their 412 V30 FL cab, and I agree...
Tight, dry, articulate and compressed. Can sound huge though. Very unique feel under the fingers.
I only learned this recently, but apparently Peter Diezel started out (in the 80s?) by modifying Marshalls and adding parts of the VHT/Fryette Pitbull circuit to them. He refined his sound from...
Yeah the 101B is so versatile it’s crazy. You could probably get the 101 a little looser/gainier to match the uberschall if you had the Gain 3 knob around 2-3 o’clock.