megaboogie
Member
VH4+Diezel 4x12:
At last, I get to experience VH4's ch3.
A bit darker than I would have liked, but playing riffs on it was very satisfying, aggressive and huge but not too extreme.
To tell you the truth, I get what the fuss is about the ch3 but... wasn't really "take my money now!" blown away by it, still a very cool overdrive tone. Ch2 had some nice mid gain crunch which was totally useable, the ch4 was quite saturated. I wish they had a VH2 in stock for me to try. VH2 might have been more to my liking with simple design for less $.
Herbert MKII+Diezel 4x12:
This amp is punchy and aggressive with high gain. Contrary to people saying this amp sounds great at low volume, I felt this amp needed some volume to sound good. At low volume it sounded dark and not as inspiring, with some volume it was roaring like an angry beast. Mid cut feature was a very useful and fun feature to shape the tone with. Herbert definitely has the right voicing for metal players, but I felt it didn't perform as nicely as VH4 on mid gain tone.
D Moll+Diezel 2x12:
I've actually played and was impressed by D Moll before... so not the 1st time playing it.
People say D Moll is like Herbert's little brother, well I felt I connected better with the little brother.
The tone is a bit more tame than Herbert, still killer lead, clean and mid gain tone. It just made me spend more time playing on it than the other amps which is saying something. Really wish they had a Paul in stock as I would have loved to compare it next to D Moll but I figured mid cut >> digital reverb.
They also had a Hagen but I just didn't have any time left to try it.
In the end I ordered a D Moll, will see if it's a keeper... or I might search for a deal on a VH2.
At last, I get to experience VH4's ch3.
A bit darker than I would have liked, but playing riffs on it was very satisfying, aggressive and huge but not too extreme.
To tell you the truth, I get what the fuss is about the ch3 but... wasn't really "take my money now!" blown away by it, still a very cool overdrive tone. Ch2 had some nice mid gain crunch which was totally useable, the ch4 was quite saturated. I wish they had a VH2 in stock for me to try. VH2 might have been more to my liking with simple design for less $.
Herbert MKII+Diezel 4x12:
This amp is punchy and aggressive with high gain. Contrary to people saying this amp sounds great at low volume, I felt this amp needed some volume to sound good. At low volume it sounded dark and not as inspiring, with some volume it was roaring like an angry beast. Mid cut feature was a very useful and fun feature to shape the tone with. Herbert definitely has the right voicing for metal players, but I felt it didn't perform as nicely as VH4 on mid gain tone.
D Moll+Diezel 2x12:
I've actually played and was impressed by D Moll before... so not the 1st time playing it.
People say D Moll is like Herbert's little brother, well I felt I connected better with the little brother.
The tone is a bit more tame than Herbert, still killer lead, clean and mid gain tone. It just made me spend more time playing on it than the other amps which is saying something. Really wish they had a Paul in stock as I would have loved to compare it next to D Moll but I figured mid cut >> digital reverb.
They also had a Hagen but I just didn't have any time left to try it.
In the end I ordered a D Moll, will see if it's a keeper... or I might search for a deal on a VH2.