Santiall":2a912 said:JVM and DSL don't share the transformers, it could be that the HT voltage is the same as it is a pretty standard value for a 100W tube amp, but actually it is funny to read some comments out there saying that the JVM is a TSL with one more channel... They are completely different amps.
As for the bias, the plate voltages are around 470V, maybe between 460-480V depending on the mains voltage. 40mA will give you around 75% of plate dissipation which is OK. I say around because the actual plate current will be a bit lower than that.
Thanks for the confirmation about the trannies. I liked them a lot in the DSLs, so no worries hereSantiall":45b7e said:JVM and DSL don't share the transformers, it could be that the HT voltage is the same as it is a pretty standard value for a 100W tube amp, but actually it is funny to read some comments out there saying that the JVM is a TSL with one more channel... They are completely different amps.
As for the bias, the plate voltages are around 470V, maybe between 460-480V depending on the mains voltage. 40mA will give you around 75% of plate dissipation which is OK. I say around because the actual plate current will be a bit lower than that.
SgtThump":f2a7c said::|::QBB:
Ralph,
I'm telling you that there ARE certain channel/mode combiations that can bet tweaked to sound like a DSL and I don't consider myself an idiot!
SgtThump":c8b50 said::|::QBB:
He he!
Swing City in Collinsville is the only one I've seen near St. Louis, but I imagine that's a bit of a drive for ya.
SgtThump":ab61f said::|::QBB:
Oh, I agree with you then! I am talking about the Crunch channel and the OD1/Green channel/mode. I think the Crunch channel on the JVM is one of it's strong points for sure. I play half the night on that for songs that require medium gain (Buck Cherry, AC/DC, Bryan Adams, Bad Company, etc...)
SgtThump":edc2d said::|::QBB:
Oh, I agree with you then! I am talking about the Crunch channel and the OD1/Green channel/mode. I think the Crunch channel on the JVM is one of it's strong points for sure. I play half the night on that for songs that require medium gain (Buck Cherry, AC/DC, Bryan Adams, Bad Company, etc...)
Will you be in Frankfurt next week?Santiall":3b8ac said:I like the bias around 35mA but those are personal preferences, it depends a lot on how loud you play, what style, etc, etc. If you like it at 40mA then go ahead with that, it is still pretty safe.
Nothing wrong with the DSL/TSLs. Many users love those series and won't change them for anything else but anyone who played JVMs, VMs or DSLs will agree that the feeling and the way those three amps respond are completelly diferent even if the tone coming out of the speakers is similar. Also true that since all those amps say "Marshall" will prejudice some people's ears to think they get the same tone.
A bit off topic, the basic JVM was developed after a JCM800 2203 using its transformers and basic power amp. JVM's power amp has more feedback to help keeping it tighter, slightly lower freq. response and a resonance control added. With the resonance down to '0' they will sound and overdrive pretty similar though.
Preamp in Crunch Orange will get very very close to a 2203 even they are again slightly different in order to acommodate all the other modes. And, as a tip, if anyone wants to have a "purer" signal path just plug a patch cord from the Parallel Send (+4dBu) into the PA Return, switch the PA Insert Loop on on the rear panel and the whole effect loop/reverb circuitry will be bypassed. There will be a small reduction in output level but can be compensated turning the masters or channel volumes higher.
Of course I willSgtThump":c434b said:
Santiall":53a93 said:I like the bias around 35mA but those are personal preferences, it depends a lot on how loud you play, what style, etc, etc. If you like it at 40mA then go ahead with that, it is still pretty safe.
Nothing wrong with the DSL/TSLs. Many users love those series and won't change them for anything else but anyone who played JVMs, VMs or DSLs will agree that the feeling and the way those three amps respond are completelly diferent even if the tone coming out of the speakers is similar. Also true that since all those amps say "Marshall" will prejudice some people's ears to think they get the same tone.
A bit off topic, the basic JVM was developed after a JCM800 2203 using its transformers and basic power amp. JVM's power amp has more feedback to help keeping it tighter, slightly lower freq. response and a resonance control added. With the resonance down to '0' they will sound and overdrive pretty similar though.
Preamp in Crunch Orange will get very very close to a 2203 even they are again slightly different in order to acommodate all the other modes. And, as a tip, if anyone wants to have a "purer" signal path just plug a patch cord from the Parallel Send (+4dBu) into the PA Return, switch the PA Insert Loop on on the rear panel and the whole effect loop/reverb circuitry will be bypassed. There will be a small reduction in output level but can be compensated turning the masters or channel volumes higher.
Santiall":ec609 said:I like the bias around 35mA but those are personal preferences, it depends a lot on how loud you play, what style, etc, etc. If you like it at 40mA then go ahead with that, it is still pretty safe.
Nothing wrong with the DSL/TSLs. Many users love those series and won't change them for anything else but anyone who played JVMs, VMs or DSLs will agree that the feeling and the way those three amps respond are completelly diferent even if the tone coming out of the speakers is similar. Also true that since all those amps say "Marshall" will prejudice some people's ears to think they get the same tone.
A bit off topic, the basic JVM was developed after a JCM800 2203 using its transformers and basic power amp. JVM's power amp has more feedback to help keeping it tighter, slightly lower freq. response and a resonance control added. With the resonance down to '0' they will sound and overdrive pretty similar though.
Preamp in Crunch Orange will get very very close to a 2203 even they are again slightly different in order to acommodate all the other modes. And, as a tip, if anyone wants to have a "purer" signal path just plug a patch cord from the Parallel Send (+4dBu) into the PA Return, switch the PA Insert Loop on on the rear panel and the whole effect loop/reverb circuitry will be bypassed. There will be a small reduction in output level but can be compensated turning the masters or channel volumes higher.