Agree...I would start at 6/4/6 for BMT and go from there.
In Flames x LaGrangeGuys I'm sort of sure I know how to dial in an amp
I can't wait for more wild, spicy suggestions of buying a tube screamer (what r those bro?) or even better, speaker suggestions after I've painstakingly made IRs of my cabs for years
GOOGLE WHAT EQ SETTINGS FOR NIRVONNA SONG ACDC OFF TO NEVER NEVERLAND BY METALLICKA NO SIRI DONT POST TO RT HADDALAYERDOWNNAW CLIBBINS
In Flames x LaGrange
Common problem usually isn’t caught live on stage. The famous volume drop. Just randomly cut out due to the wiring issue stated in here earlier. Reamped probably a dozen of them and ran into this issue tons of times. Live too. Didn’t notice while playing, then someone shows a live recording and it’s like wtf left guitar just cut out there for 30 seconds.Yeah 5150s being unreliable is a new one to me, I know guys that been touring with them for decades with no problems
I retract my statement...6/3/6 for BMT. Add a Maxon OD808 or Ibanez TS9 and you're set. Or whatever exotic boost you want (that didn't exist 15-20 years ago).
Common problem usually isn’t caught live on stage. The famous volume drop. Just randomly cut out due to the wiring issue stated in here earlier. Reamped probably a dozen of them and ran into this issue tons of times. Live too. Didn’t notice while playing, then someone shows a live recording and it’s like wtf left guitar just cut out there for 30 seconds.
Not sure if it's been mention yet, but have you tried a TS?
I just started playing guitar yesterday, and I was so stoked
Because when I google searched "what EQ settings on my line 6 spyder for ACDC and MeTallicA"
All I got was these boring explanations of how tone stacks worked, when I wanted everyones literal tone stack settings, because obviously everything else in our rig is going to be exactly the same and it's going to work exactly the same. Because that's how that works!
But now I'm doing a big confuse because everyone's telling me I need a "TOOB SCREEMER" - and I played one of those at my nephew's house, and it didn't sound like KoRn or Slipknot - PLS ADVICE PLS
TS->TS->HM2->TS
If that doesn't work than you're probably going to need to quit the guitar.
i always laughed at eddie keeping his mids at 2 on his own amp, like if i had my own signature amp i think id make my ideal mid setting at strait noon??
Like peas and carrots.I think i've played one of those tube screamerz B4..... not enough distortion to sound like Off to NEVA NEVA LAND by MeTAlLcA, borther
I've had the volume cutout happen to me with multiple 5150s
Like, i'm glad those guys didn't have problems with theirs but it is what it is
Original tubes in the Block Letter vs. JJs in the 1992. You could probably EQ them closer without setting the dials the same (parts tolerances).
1992 first then the Block Letter but that was the same settings on the knobs.I can hear the difference and I like the first one better.
Which was which?
I didn't edit it in time1992 first then the Block Letter but that was the same settings on the knobs.
nice acquisition!!That's excellent news - its one of those things where you feel like you need to have this tone in the arsenal, but I always felt like I was buying a potential boat anchor used. Especially with how prices on the originals went up so far.
Either way, I was really pleasantly surprised with how exact the 1992 was compared to an OG - enough to give it a shot
Rare win for Peavey TBH, so far. We'll see how it does miced up