Yup, concerts don't sound the same anymore. There WAS something to loud amps and stage volumes. Even Dave Friedman has mentioned this point.Crazy how soundman and players back then could get great sounds and mixes out of the PA without all the modelers, in ears, quite stages, etc... lol.
I'd love to see many of today's players and soundman dropped back in time to deal with live sound and loud stages, I'd be hilarious.
Trust me as a guy that saw a ton of concerts in my life - today's live mixes generally suck comparatively.
The soundmen are usually not the issue. It's mostly (venue/government/safety) regulations these days... and stage size.Soundmen dealt with it back then, they should be able to deal with it now (mixing sound)
Damn, D.O.A. is cut off. Boooo...
Yeah I gotta disagree with "them" not being the issue when they're pumping bass drums loud enough to remove the roof in large venues. I get it in small clubs, that's always been a battle. Been there done that. Granted the really, really good soundman I worked with back in the day knew you had to move a little air onstage and they would work with you within reason.The soundmen are usually not the issue. It's mostly (venue/government/safety) regulations these days... and stage size.
It's easier for a soundman to work with a loud full-stack tube amp on a larger stage, because it's less likely to interfere with the FoH...
I played on big stages, where both the monitor guy and the FoH guy had 0 issue with me crankin' my Engl Invader 100+4x12. But in smaller venues, it's almost ALWAYS a battle.
"TURN IT DOWN!" "I CAN'T, OUR DRUMMER IS TOO LOUD OTHERWISE." "TELL HIM TO PLAY MORE QUIET THEN." "I CAN'T, HE'LL PLAY LIKE A SISSY B!TCH."