NAD: VHT Sig:X

nightlight

Well-known member
Pretty stoked after getting my hands on one of these. I used to own one, but had to sell it to fund something else. Was kicking myself after that, as it's a Swiss Army knife of an amp. Great clean tones, an excellent rhythm channel and a fantastic lead channel for soloing.

Plugging into was like entering dry sonic territory again after spending much of the past two-three years experimenting with amps that are known for compressed tones.

This amp is very different from my Engls, Marshall and Mesa Boogie. The closest thing I have to it is a VHT GP3 preamp, which is also dry sounding but is its own kind of beast.

What really surprised me was how much better the rhythm channel on this one sounded compared to the older one I had. Might be because of the KT88 tubes that are in it. I did pop in a couple of 6505s to see which I preferred. but like my Engl Savage 120, the KT88s just add a thumping bottom end and also seem to be less shrill in the mids and highs.

A funny thing is that the original owner was complaining that there was something wrong with the amp, as the volume was really low. I thought it might be a tube problem and told him as much, and we agreed to stay in touch in case there was something more amiss, in which case repairs might have been merited.

When I got it home, I plugged into my Orange 2x12 with V30s and, as described, the volume was very low. I tried flipping the switches to 100-watt mode from 40 watts, messed with controls and adjusted other parameters. The tone was definitely there and the amp was making sound, just at extremely low volume.

At this point, I opened up the back and put the 6550s in, expecting to see the volume go up. Except it didn't. I was a bit concerned that maybe the phase inverter tube had gone bad, but I didn't have any way to check it and didn't have a spare anyway.

I then took a look at the back to see if there was anything wrong with the FX loop.

The Sig:X has the option to set the FX loop in either serial or parallel, and there's an option to bypass it altogether. I flipped all the switches and took the loop out of the equation.

And voila! The amp was working perfectly. I've done business with this particular gentleman before, so pleased as punch he didn't sell me a broken amp.

I am seriously grinning from ear to ear. Been gassing for one of these for a long time now. I'll try to post some tones, but for now, here's a look at the amp, it's very clean for something so old.

SigX 1.jpg





And here's a family shot for all the gear whores out there:

SigX 2.jpg
 
I have been loving my Synergy Ultra Lead module into a KT88 Poweramp. There is definitely something awesome about that dry punchy sound and feel. Fat but tight.
 
@nightlight congrats!

I owned the Fryette version myself, but sold it eventually, as I found the lead channel just not juicy/saturated enough and the clean channel has this hiss when you use the treble above noon (which still isn't much), but it's volume independant... And I got the feeling that KT88's just aren't my sound...

Note that the FX-Loop has a level knob, where unity gain sits around 3 o' clock, so you could turn on/off the fx-loop via the footswitch and use it as a master volume boost (or cut).
That rhythm channel is glorious and there are so many cool Marshall-esque, but better tones to be had from it.
 
Sucks, I bought two of these when they came out and I really wanted to like it based on reviews coming out at that time but both were red plating like crazy and had horrible noise issues so I sent them both back and never got to really trying this amp out. They seem like a great amp that I never got to really try out. Maybe someday.
 
Thanks, guys.


@nightlight congrats!

I owned the Fryette version myself, but sold it eventually, as I found the lead channel just not juicy/saturated enough and the clean channel has this hiss when you use the treble above noon (which still isn't much), but it's volume independant... And I got the feeling that KT88's just aren't my sound...

Note that the FX-Loop has a level knob, where unity gain sits around 3 o' clock, so you could turn on/off the fx-loop via the footswitch and use it as a master volume boost (or cut).
That rhythm channel is glorious and there are so many cool Marshall-esque, but better tones to be had from it.

That’s really surprising, the lead channel has massive dollops of gain. So does the rhythm channel.

Sucks, I bought two of these when they came out and I really wanted to like it based on reviews coming out at that time but both were red plating like crazy and had horrible noise issues so I sent them both back and never got to really trying this amp out. They seem like a great amp that I never got to really try out. Maybe someday.

That’s sad. I haven’t heard of a lot of quality control issues about VHT or Fryette, but there are always aberrations.


This is a really long demo, but the tones are good imho. Gorgeous cleans, crushing rhythms and brutal lead tones. Have a listen. This is the in the room sound, as captured by a Sphere L22 mic.

 
That’s really surprising, the lead channel has massive dollops of gain. So does the rhythm channel.
Yes it has, but it's a totally different type of gain, more open and dry, than an Engl Savage or Mesa Mark series.
It was pretty tight, but it lacked certain 'juicy' characteristics in the saturation.
 
I owned one for awhile and it is a cool amp. Depsite it having that dry quality, it is EXTREMELY detailed in that you can hear every single note you play with massive clarity. That is one thing I really liked about it.
 
I used the Sig X at band practice last night. Probably going to be the main amp for the band.

That's a cool idea. You can cover a lot of ground.

Congratulations. Cool and different amp. I had one for a while but never could jell with the dry sound.

There are many easier playing amps, and life is short! I really like that dry tone in my amps, but find amps with more compression are more in line with my tonal vision. I figure if it comes to it, just boost, not that this needs one. But if you dial it in right, it should be just the right balance of wet and dry.
 
Congrats. Fond memories of my SigX journey twice. Years ago when my chops were at their height it came down to the SigX and the JVM. I went with the JVM by a hair and it's been my main amp since.

A few years ago I tracked down another SigX and remembered why I preferred it over the Pitbull I had years earlier and why it almost won out over the JVM. It's just a solid all around amp. Fantastic clean tones and high gain sounds, lots of options. Unfortunately my ear and feel is so accustomed to Marshalls now plus my chops aren't all that, the dryer feel of the Fryette was playing against me so I let it go.

Sig is definitely in my top 5 amps I've owned and loved.

Still, my opinion only but I think Sig along with the Deliverance are the best things Fryette has ever put out. There was a point there years ago I nearly flipped all VHT and if the Deliverance had an effects loop on it I probably would have.
 
Congrats. Fond memories of my SigX journey twice. Years ago when my chops were at their height it came down to the SigX and the JVM. I went with the JVM by a hair and it's been my main amp since.

A few years ago I tracked down another SigX and remembered why I preferred it over the Pitbull I had years earlier and why it almost won out over the JVM. It's just a solid all around amp. Fantastic clean tones and high gain sounds, lots of options. Unfortunately my ear and feel is so accustomed to Marshalls now plus my chops aren't all that, the dryer feel of the Fryette was playing against me so I let it go.

Sig is definitely in my top 5 amps I've owned and loved.

Still, my opinion only but I think Sig along with the Deliverance are the best things Fryette has ever put out. There was a point there years ago I nearly flipped all VHT and if the Deliverance had an effects loop on it I probably would have.

I'm still on the lookout for an Ultra Lead. Hope it isn't hype, I doubt it will be, but used prices on them are like $4000.

No idea why, and I refuse to spend that much on a second hand amp unless it was a holy grail kind of thing.

I have a GP3 preamp as well, so that will have to suffice as my "poor man's Ultra Lead" till I can finance one.
 
I'm still on the lookout for an Ultra Lead. Hope it isn't hype, I doubt it will be, but used prices on them are like $4000.

No idea why, and I refuse to spend that much on a second hand amp unless it was a holy grail kind of thing.

I have a GP3 preamp as well, so that will have to suffice as my "poor man's Ultra Lead" till I can finance one.
I personally liked the SigX better. They are dry amps, it's the Fryette thing but the Sig to me just had better feel, a little more relaxed. I went through the Ultra pretty quick as at that point I was flipping amps left and right. Again my two favorites Fryette are the Sig and the Deliverance. That said, you never know until you try so hopefully you'll get the chance to own a Ultra one day.
 
I personally liked the SigX better. They are dry amps, it's the Fryette thing but the Sig to me just had better feel, a little more relaxed. I went through the Ultra pretty quick as at that point I was flipping amps left and right. Again my two favorites Fryette are the Sig and the Deliverance. That said, you never know until you try so hopefully you'll get the chance to own a Ultra one day.

Thanks. Yeah, unfortunately, those kinds of amps are rare as hell in sunny Singapore. I mean you may come across one or two randomly, but trying before buying is tough.

For most of my amps, I base my decision on research I do online, and the Ultra Lead ticks a lot of boxes.

Sadly, sometimes I’ve even had amps that i bought and then sold, which I later regret. I even had an Sig:X before and stupidly sold it, so this is the second one I’ve owned.

Collect them all lol
 
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