Steedee":2l1im4qg said:
Yeah, you got a really sweet tone nailed down man.
Band sounds great, definitely my style of music.
I love modern Blues and Boogie........
Thank you so very much. I am humbled by your compliments, really I don't take this shit for granted at all. If you get it and dig it, I really feel honored and thanks again!!! I love modern "heavy roots" music myself, love Bonomasa and Warren Haynes. Hey guys, here's something interesting. A German Record Distributor just bought 50 CD's off Cd Baby. Here is review from a German web page.
http://www.home-of-rock.de/CD-Reviews2/ ... Stone.html
Rough (from my little brother who speaks German) translation is ...
Strong slide-boogie in "Tres Dedos", the lead-in from the first album by Texas blues rockers, 3 Mile Stone (not to be confused with a band from the Bay Area called Three Mile Stone), with a little help from some friends, notably Tom Gillam as vocalist on some tracks. Homepage is displayed on the left. The album blends songs like the Doobie-esque "Time Rolls On", or the classic twelve-bar "Walk On" with its acoustic blues tones. Harmonica (indecipherable...something about a special note about Tom Johnston's son lost on the mike. Hmm.) Super.
(More really funky Deutsch-glish follows.) Otherwise, the usual suspects. From the godfather of ZZ Top to the Allmans and other Texas blues rockers in between. Recalls/reminds one of John Nitzinger or Lightning Red (indecipherable--something about him playing in another class).
Back to Tom Gillam, who sings "The Big Kiss Off", infused with long guitar and harmonica solos and the blues rock "Long Hard Road". These tracks are all top notch. Not that the others were bad--far from it--with the possible exception of the superfluous cover of Calvin Carter's "I Ain't Got You", but if I were the bandleader, I would definitely make the boy an offer.
But the blues rock tracks or the live track "The Party", for example, show the band's two (permanent member) singers are also quite competitive. The latter is actually one of those wonderfully languid, slow tracks with good backing vocals where there's a tendency to dream with a glass of beer out on the veranda watching the ruby-red sunset, and when then come the double leads...wonderful. Or the slide solo on "Leave A Message"--good, crisp, not too long.
This is blues rock at it's best--nothing experimental, just straight, good music played soulfully played by experts, for connoisseurs. Technical production is okay (meaning good). No overkills with the instrumentals. No need to press every last note into the solos (something vernacular--not quite sure what he meant, but that's close), but rather, this is music one can listen to anyplace, anytime, anywhere.
He didn't like our cover of "I Ain't Got You"
Othe rthan that he seems pretty stoked about. It's so cool in this new age of digital music. I'm 50 and enjoying a (tiny) international following. It's crazy!