D
Deleted member 3520
Guest
I received a box (potentially best packing job of all time!) and revealed a beautiful Oxblood Cornford with White faceplate. I have been trying to get ahold of This amp for over 10 years now. Beautiful. I immediately unwrapped it all and something struck me that doesn’t always hit me this way; build quality. Absolute top Notch, maybe the best I’ve ever seen/felt/used.
I’m usually the guy who needs multiple channels and a ton of versatility. I went the Komet route trying this dynamic single channel thing, and while it has its own untouchable scope, I was skeptical of returning to a ‘single channel”. I quickly found out that with footswitchable volumes and switchable gains, I can get a plethora of impressive tones. The first gain is lighter and more classic, and here I can genuinely roll volume down and get a good clean tone. Rolling up the volume opens this studio clean drive sound, and it’s good enough to be its own amp. No problem getting blues and rock music here. Dynamically, I have experienced this type of magic very few times, ever. I have found SRV, AC/DC, Led Zep, Boston, and more importantly, a unique sound I love for my own writing. I have fun here like Bogner Blue, but they are different. Beautiful. A lot of people compare these the having a ‘M’ type thing going on, and if it does, it does it better than any of them Ive ever played! It sounds like a Cornford, but if you want that tone, this thing can get it too.
Then I switched in the Overdrive knob. Wow. Harmonic laden and magical, singing and fat whilst being tight and diamond clean, but never feeling dry or choppy. Real endless Sustain and a brown, rich, bold midrange stand out front with its own vocal and elastic sonic uniqueness that lets you be you, let’s me be me, and let’s you be free with you’re own voice and technical approach. It does, however, remind me to practice, being it gives what you give. It’s not a dark sound, nor a bright sound. When you give it some edge and let it open and shine, it’s easy to keep all boundaries soft around the edges. Likewise, you want a chewy, Phat, bouncy, smooth syrupy growl, it’s got it. Regardless of which world class side of the spectrum you choose, the articulation and harmonic extravaganza the ensues is simply remarkable. I’m getting 4 solid channels out of it. Tonally, the two gain knobs work together and both bring different tonal flavors. Audible bliss, a motivating amp to hear, to transcribe your voice as a musician to one of the most rewarding and signature sounding amps in the history of amps.
https://www.youtube.com/channel/UCcCG2I ... THQKQvvhFA
I’m usually the guy who needs multiple channels and a ton of versatility. I went the Komet route trying this dynamic single channel thing, and while it has its own untouchable scope, I was skeptical of returning to a ‘single channel”. I quickly found out that with footswitchable volumes and switchable gains, I can get a plethora of impressive tones. The first gain is lighter and more classic, and here I can genuinely roll volume down and get a good clean tone. Rolling up the volume opens this studio clean drive sound, and it’s good enough to be its own amp. No problem getting blues and rock music here. Dynamically, I have experienced this type of magic very few times, ever. I have found SRV, AC/DC, Led Zep, Boston, and more importantly, a unique sound I love for my own writing. I have fun here like Bogner Blue, but they are different. Beautiful. A lot of people compare these the having a ‘M’ type thing going on, and if it does, it does it better than any of them Ive ever played! It sounds like a Cornford, but if you want that tone, this thing can get it too.
Then I switched in the Overdrive knob. Wow. Harmonic laden and magical, singing and fat whilst being tight and diamond clean, but never feeling dry or choppy. Real endless Sustain and a brown, rich, bold midrange stand out front with its own vocal and elastic sonic uniqueness that lets you be you, let’s me be me, and let’s you be free with you’re own voice and technical approach. It does, however, remind me to practice, being it gives what you give. It’s not a dark sound, nor a bright sound. When you give it some edge and let it open and shine, it’s easy to keep all boundaries soft around the edges. Likewise, you want a chewy, Phat, bouncy, smooth syrupy growl, it’s got it. Regardless of which world class side of the spectrum you choose, the articulation and harmonic extravaganza the ensues is simply remarkable. I’m getting 4 solid channels out of it. Tonally, the two gain knobs work together and both bring different tonal flavors. Audible bliss, a motivating amp to hear, to transcribe your voice as a musician to one of the most rewarding and signature sounding amps in the history of amps.
https://www.youtube.com/channel/UCcCG2I ... THQKQvvhFA
