D-Moll Channel 1 and Channel 2 Clips

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steve_k

steve_k

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Short Audioslave clip of the D-Moll, Channel 1. Gain dimed, mid-cut on. 412 Mesa Recto w/ V30's. Recorded straight to a Zoom Q3HD. Guitar straight in, with a bit of delay in the FX loop. This is about as dirty as Channel 1 will get. Playing a Mayones 6 with EMG's.



Channel 2, with a Huber Orca.

 
:rock: Hell yeah!!
sounds fat. How high do you have the intensity on the mid cut?
 
siiir, that is a great tone! in case you plan to record more videos to show the remaining channels, I'll be really more than welcome to see those!
 
Sounds great. A good gnarly grain to it. Like a new take on UFO.
 
Yes, the mid cut is engaged and set around 1:00 on intensity and level.
 
Ch 2 has some meat and some swing.

Nice amp.

Thx for posting.
 
Thanks for sharing the tones!

...and a Blueface? You're probably looking to unload that now, right?
 
Thanks. I've got some more quickies, but you get the idea. Just got to sift through them and upload. Channel 3 is over the top liquid metal. Smack the front end with an OD and Channel 1 can become your friend too. Not sure if you can hear it in the videos, but the way the bottom end tracks the top end is very prominent in this amp. It's almost like you have a bass player plugged in along with you. This is without running too much bass either. Channel 1 is running bass around 11:00, 2 and 3 at 1:00 and depth is around 12:00. Through the rear load Mesa cab, it really stands out. Channel 3 reminds me a lot of an Uberschall type voicing. Overall, I like the amp better with a rear load cab after going back and forth between it and the FL Diezel. The FL tightens everything up, but the amp loses a bit of its note separation. I think the rear load lets all the overtones/layers come through better. One other thing, the gain on Channel 2 and 3 are both below noon and the channel masters about the same. It doesn't take a lot of gain to make it work for you. The master was around 10:00. Just like the VH4 and Herbie, you can play around with the combination of gain/channel/master to compress or saturate as you so desire. It's just a kick ass amp all the way around.
 
Steve,

Where did you get your D-Moll and what's the price on these. Thanks for the clips and great song choices!
 
bwgintegra":221kkct2 said:
Steve,

Where did you get your D-Moll and what's the price on these. Thanks for the clips and great song choices!

Mine came direct from Diezel HQ. I can get away with that, being where I am and no dealers. My wife has a Euro account which keeps me out of the exchange rate loss. Brad has/had one or two of them. Matts Music had one. They are under 3K shipped.

Steve
 
Lets see some more vids! How about ch 3 with and without mid cut
 
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