
SavageRiffer
Banned
New member

Well I've heard a few things about the Diezel Paul, such as it being a "Marshally" sounding Diezel. Peter described it as being more classic sounding in the NAMM demo. Well, to my surprise, initially playing the Paul seemed to have more of an Orange vibe rather than Marshall. Then I recalled one of the NAMM videos where Peter (the demo guy, not Peter Diezel) said that it could probably do stoner metal, so I'm guessing that's it. After playing it for a couple of hours and spending the remaining time on channel 2.5, it reminded me a lot of the Einstein.
The amp distortion itself, if anything, seems to be kind of Orangy. However, using a TS808 on channel 2 brought a tighter and less fuzzy tone. Perhaps I'm getting this Orange vibe because I'm using an Eminence Private Jack for the Paul. I don't have any Celestions at the moment. Then again, I've been using a Silver Jubilee and DSL 50 exclusively for the past year, at if it had a Marshall vibe, I'd recognize it.
The amp is pretty punchy as described, and my definition of punchy would be exemplified by the Bogner Ecstasy 101B which makes picked notes kind of pop out with some kind of low end depth. The overall feel of the Paul is different; looser or greasier in feel. With the DMoll, I kind of had to have a certain amount of gain to get some liquidity, but the Paul does quite well with much less gain.
The clean channel is very dynamic, poppy, and kind of brisk compared to the DMoll. Not to say the DMoll doesn't have nice cleans because it does, just different. The gain control on the clean channel, by the way, is a powerful control that seems to interact with your volume and EQ settings. It does a fantastic job of acting kind of like a transparent boost between the 10:00 and 12:00 range, so you can get a pretty nice Shine On you Crazy Diamond kind of tone.
Lastly, I was kind of worried that the Paul might not do the brootz quite as good as the DMoll, but I can already tell that it actually kind of likes the scooped mid thing. However, I want to say the Paul does seem to have a bit of an inherent scooped contour which might explain the great clean tones, and I noticed that the mid control scoops a lot out by the 10:00 position, so I kind of like the mids around 1:00 normally, and 10:30 for metal rhythm... at this point at least.
So. In conclusion, the Paul is a little different than I expected, and I might have misperceived the "more classic sounding" description because by more classic sounding to the Paul is still kind of hi-fi classic Diezel thing I guess. It's like a cross between a Schmidt, Einstein, and Orange Rockerverb.