jfb23
New member
Hi,
I've recently purchased the Egnater Tourmaster 4212 combo amp.
It's a great amp. I love it. I play classic rock (Who, Zep, Rush)
in a four-piece-- bass, vocals, drums.
With regard to live situations in small clubs, I have trouble evening out the volume, when switching between channels.
The vintage Clean 2 channel is open and full. It cuts through any mix of bass and drums perfectly
and I only have the channel volume at 10 o'clock.
The Overdrive 2, while it's a fantastic tone, tends to be closed and buried in the mix.
I have the channel volume up at 1. Adding volume doesn't seem to help.
Is this just the natural compression of overdrive at work,
that it fails to cut through a boomy mix?
Any helpful recommendations would be appreciated.
Here are my settings for typical small club gig
with bass, drums and vocals.
Master section--
Master volume: 12 o'clock
Master reverb: 10 o'clock
Presence and Density: both set at a minimum 8 o'clock per manual recommendation
Overdrive 2 Channel:
Voicing Switch: Modern
Contour Out
Treble, Middle, Bass all between 12 o'clock and 1 o'clock
Gain: 1 o'clock
Volume: 12 o'clock
Clean 2 Vintage.
Voicing Switch: Vintage
Contour Out
Treble Middle, Bass all between 11 o'clock and 12 o'clock
Gain: 5 o'clock
Volume: 10 o'clock
Fender Strat (single coils)
Pedal chain: CryBaby, Keeley Compressor, MXR EQ, Chorus, Octave, Morley Volume,Boost DLA
All channels set at 100 watts.
Thanks
I've recently purchased the Egnater Tourmaster 4212 combo amp.
It's a great amp. I love it. I play classic rock (Who, Zep, Rush)
in a four-piece-- bass, vocals, drums.
With regard to live situations in small clubs, I have trouble evening out the volume, when switching between channels.
The vintage Clean 2 channel is open and full. It cuts through any mix of bass and drums perfectly
and I only have the channel volume at 10 o'clock.
The Overdrive 2, while it's a fantastic tone, tends to be closed and buried in the mix.
I have the channel volume up at 1. Adding volume doesn't seem to help.
Is this just the natural compression of overdrive at work,
that it fails to cut through a boomy mix?
Any helpful recommendations would be appreciated.
Here are my settings for typical small club gig
with bass, drums and vocals.
Master section--
Master volume: 12 o'clock
Master reverb: 10 o'clock
Presence and Density: both set at a minimum 8 o'clock per manual recommendation
Overdrive 2 Channel:
Voicing Switch: Modern
Contour Out
Treble, Middle, Bass all between 12 o'clock and 1 o'clock
Gain: 1 o'clock
Volume: 12 o'clock
Clean 2 Vintage.
Voicing Switch: Vintage
Contour Out
Treble Middle, Bass all between 11 o'clock and 12 o'clock
Gain: 5 o'clock
Volume: 10 o'clock
Fender Strat (single coils)
Pedal chain: CryBaby, Keeley Compressor, MXR EQ, Chorus, Octave, Morley Volume,Boost DLA
All channels set at 100 watts.
Thanks