Hectic Watermelon
Member
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This wah is definitely staying on my pedal board. You can hear it in this clip where it’s a secondary rhythm guitar. The Wah is sometimes hitting a Fulltone ’69 fuzz on its way to an Egnater SL B channel which enters soon. All the levels are automated for the vocal, so you can hear the wah as mostly an underlying part, but I really like how it talks in the final bridge section with the neck single coil when it is mixed a hotter. I think good gear works in varying dosages, and this wah blends and cuts through nicely at various mix levels and wah amounts. The main rhythm guitars are EG5 A channel doubled. All guitars are EB Morse. The bass is Ernie Ball Bongo going into the Ampeg SVX - which I also really like. This clip is from the tune, “Snuff Flick” prior to getting real drums.
This wah is definitely staying on my pedal board. You can hear it in this clip where it’s a secondary rhythm guitar. The Wah is sometimes hitting a Fulltone ’69 fuzz on its way to an Egnater SL B channel which enters soon. All the levels are automated for the vocal, so you can hear the wah as mostly an underlying part, but I really like how it talks in the final bridge section with the neck single coil when it is mixed a hotter. I think good gear works in varying dosages, and this wah blends and cuts through nicely at various mix levels and wah amounts. The main rhythm guitars are EG5 A channel doubled. All guitars are EB Morse. The bass is Ernie Ball Bongo going into the Ampeg SVX - which I also really like. This clip is from the tune, “Snuff Flick” prior to getting real drums.