Guthrie's Session with The Aristocrats Getting Started

  • Thread starter Thread starter Ed Yoon
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Ed Yoon

Ed Yoon

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I'm at the Planet10 Studios in Chicago right now helping Guthrie get set up for the recording session with the new super power trio called The Aristocrats featuring Guthrie on guitar, Marco Minnemann on drums and Bryan Beller on bass. The session will run through April 30 and the album will consist of 3 tracks each from each member. It'll be more like a "live in the studio" type of recording with a minimal of overdubs. I'm here just through Saturday to get the gear set up and help dialing in the guitar sounds. Here are some pics from the first day:

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Here's the list of Guthrie's gear for this session:

GUITARS:

Suhr Guthrie Govan Signature Antique Modern (Basswood body with Maple top, Roasted Maple neck)
Suhr Guthrie Govan Signature Modern (Mahogany body with Maple top, Mahogany neck with Pau Ferro board)
Rasmus Guthrie Govan Signature Model prototype (Mahogany body, Mahogany neck with Rosewood board)

All guitars are equipped with the Suhr SSH+ humbucker in the bridge, the ML single-coil in the middle, and the SSV humbucker in the neck.

AMPS & CABS:

Suhr Badger 30 watt head
Custom Audio Amplifiers PT100 head (designed, manufactured, and distributed by Suhr)
Suhr 2x12 cabinet with Celestion Heritage G12-65 speakers
Custom Audio Amplifiers 4x12 cabinet with WSG Veteran 30 speakers

EFFECTS:

In order in the signal chain:

Peterson Strobo-Stomp Tuner
Sweet Sound MojoVibe
Xotic Robotalk Envelope Filter
Analog Man Clone Chorus
Dunlop Jerry Cantrell Signature Cry-Baby Wah
Ernie Ball Volume Pedal
Radial Swithbone (A/B box to run both amps at one or switch between them)
Suhr Koko Boost (clean and midrange boost pedal) - for the Badger 30 head only
Eventide Time Factor Digital Delay (in the effects loop of the CAA PT100)

Analog Man Sun Face Fuzz (on standby for use on certain tracks)

Guthrie's trying out the Switchbone that's in the studio to run both amps at the same time to see if he can get a big sound mixing the two amps and cabs. Sounded really good on its own through the studio monitors but they'll still need to tweak a bit and hear things in the mix to get a real good idea.

The tunes are pretty killer - intense with a lot of twists and turns but still melodic and quite listenable. It'll be very interesting to see what kind of brew comes out in the end. :D
 
Here are some more pics taken by a pro photographer at the studio chronicling this session. Marco is arriving on Sunday after finishing up a short tour with Eddie Jobson so Guthrie and Bryan are working on the arrangements right now.

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Some more pics from the session... The floor got messier and messier as we put more toys laying around the studio to experiment with, including a vintage Maestro Phaser, an MXR Flanger, and Durham Electronics Sex Drive that mated particularly well with CH2 of the PT100. We brought out the Riot as well to test with CH1 of the PT and that sounds great as expected, but I expect Guthrie's main sound on this album to be the Badger 30 with a Koko Boost with the midrange side engaged with the Suhr 2x12 with the WSG version of the G12-65's.

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Now, this is Rock and Roll! :lol:
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A good view of the settings on the amp.
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Now here are some pro shots taken by Rob Olewinski who works at the studio and also does a lot of freelance photography in the Chicago area:

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WOW! Nice pics, awesome thread Ed!

So he is not playing his Cornfords anymore?

All Suhr tone for Guthrie I see!
 
Looking forward to hearing some new material from Guthrie. :thumbsup:
 
Nico":3gfdth2y said:
WOW! Nice pics, awesome thread Ed!

So he is not playing his Cornfords anymore?

All Suhr tone for Guthrie I see!

Yup, ALL-SUHR. There's one tune in which he used his '71 ES-335 to get an old jazz tone.

The guitar sounds are fantastic - essentially the Badger 30 mixed in with CH2 of the PT100 for all of the overdrive and distorted sounds. Some very nice clean sounds from CH1 of the PT as well.
 
Great pics Ed.For a while now i see that guthrie uses the badger and the CAA heads.Is there somethng up with his Cornford amps?
 
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