Hermida Dual Boost pedal, meet the TOL 100!

mentoneman

Well-known member
i mentioned a while ago that i really like the way these two play together, in a more transparent way than the bb preamp (which i also love),

but since action speaks louder than words, and if a picture paints a thousand words, than why can't i paint you?
cause precious and few are the moments we two can share....

:rock:
 
Jeff Hilligan":dp3mjv4x said:
Pat's famous brown shoes!

brown shoes brown pants brown shirt brown carpet...maybe i should change my name to brownman :lol: :LOL:

dude what the heck was going on with my foot while i played the unchained riff??
i have a nervous habit of bouncing my foot while sitting still...too hyper....so that was a mix of that and trying to keep time!

i would've destroyed michael phelps in the 100 M with that paddling action :D
 
Pat,

Your tone is so amazing that I got a EG3/4 module just to sound like you! But even though I know a lot of it comes from your technique, I still don't get the same growl you get with my MOD 100 and 2x12 cab. What basics am I missing? Different pickups? I play an SG and a Strat.

By the way, the boost pedal is perfect in your rig, very transparent. Really enjoyed it.
 
bscfo1":3db0k6vn said:
Pat,

Your tone is so amazing that I got a EG3/4 module just to sound like you! But even though I know a lot of it comes from your technique, I still don't get the same growl you get with my MOD 100 and 2x12 cab. What basics am I missing? Different pickups? I play an SG and a Strat.

By the way, the boost pedal is perfect in your rig, very transparent. Really enjoyed it.

thanks man-
i'm jealous...i've always wanted a sg!

maybe you can make a quick clip of your tone with the strat and then the sg so i can hear what's shakin in pickupland?

people have inquired about tones i get with various rigs and in the end what it always boils down to in my mind is just YEARS of experience tone chasing, having pretty solid points of reference, being that i've heard every one of my tone heroes play live, and always having a clear target in my head about what i want to achieve with the gear i have, and upgrading to the pieces to compliment my tone targets:

1)ej and landau clean tones,
2)srv, landau and ford blues fusion rhythm and lead tones,
3)VH and landau brown crunch,
4)ej, holdsworth type lead tones.

simple :D

128 midi presets can really mess with a man's head!

for the longest time i had no midi controller with my single channel mojave coyote rig and just left the gforce on one setting...ducking delay and verb...and that really helped me rehab from my triaxis rack days!


but once you find the general tone you seek, then i becomes a matter of playing to that tone, for a decent amount of time so your hands and ears can wrap around it, to master it and refine the little :scared: things like pus and tubes and speakers along the way.
guys that constantly flip gear will never be able to hone in a great tone, imo.

it's why i've always loved mike landau....the guy KNOWS his tone kills, and he plays TO the tone, almost as if he's saying "check *this* tone out boys!" every guitar player NEEDS to see and hear him live at least once.

here's another eggie rig clip--the clean tone up front is pretty, and if you jump to the end you can see just how flexible the TOL tone is:


i'm still not totally keen on my TOL low/mid gain tones yet, especially since that's what the coyote owned at.
i'm running a boogie 2x12 micing the greenback, and an EV 12L 1x12, in stereo, on these clips....senheiser e609 on the EV and a 57 on the greenie--

i'm running the pedals into TOL 100 then into a thd 16 ohm hotplate on load, and taking the line out to the gforce into an old peavey ss power amp we had laying around at church for PA uses (because in my world cost IS an issue :D )

so right away i know i'm missing some speaker cab massaging on the blues and rock tones, and the power amp is pretty flat so i miss out on the dimesion there as well...but all in all it's easier than hauling various cabs, and gives me total control of levels, and sounds good enough.

here's an audio clip of our church band jamming with our musical guest this past sunday--you can hear the eggie clean peak in and out here and there:
http://homepage.mac.com/mentoneman/paulclarkjam.mp3
 
Pat,

Love that! Kinda like Sting and his band came to your church! Cool clip, I can hear you during the sax solo. The TOL has nice clean tones.

This list:

1)ej and landau clean tones,
2)srv, landau and ford blues fusion rhythm and lead tones,
3)VH and landau brown crunch,
4)ej, holdsworth type lead tones.

--pretty much defines my tastes for tone too. Do you run a compressor on all of your sounds? There's something about the attack in your sound that I can't get. It's smooth, but still has that articulation if that makes sense. Maybe you just pick better than me. LOL!
 
bscfo1":2c13fd69 said:
Pat,

Love that! Kinda like Sting and his band came to your church! Cool clip, I can hear you during the sax solo. The TOL has nice clean tones.

This list:

1)ej and landau clean tones,
2)srv, landau and ford blues fusion rhythm and lead tones,
3)VH and landau brown crunch,
4)ej, holdsworth type lead tones.

--pretty much defines my tastes for tone too. Do you run a compressor on all of your sounds? There's something about the attack in your sound that I can't get. It's smooth, but still has that articulation if that makes sense. Maybe you just pick better than me. LOL!

I used to keep the comp on all the time with the Mojave stuff but now it only gets used with eggie ch1 & 2. 3 & 4 gets noisy with comp.
 
Back
Top