dfrattaroli
New member
It seems that way to me. I definitely get more hiss from the EG5 as I crank the gain and master than other mods.
EWSEthan":1eyt11rt said:Yes because it has tons of gain.
dfrattaroli":5ukbm7xy said:I understand that more gain means more noise. I've played a Bogner Uberschall that was hissier than a gay rattle snake stuck in Richard Simmons corn-hole. I just noticed that it's a bit noisier than the MHG and Erect and wanted to find out if anyone heard the same thing.
dfrattaroli":1p7s4vb0 said:I understand that more gain means more noise. I've played a Bogner Uberschall that was hissier than a gay rattle snake stuck in Richard Simmons corn-hole. I just noticed that it's a bit noisier than the MHG and Erect and wanted to find out if anyone heard the same thing.
Jeff Hilligan":5usynyb8 said:dfrattaroli":5usynyb8 said:I understand that more gain means more noise. I've played a Bogner Uberschall that was hissier than a gay rattle snake stuck in Richard Simmons corn-hole. I just noticed that it's a bit noisier than the MHG and Erect and wanted to find out if anyone heard the same thing.
It is due to the fact that both MHG and Erect have scooped mids compared to EG5. Now I am not saying they don't have mids but when you put them up against 5...they don't! Gain resides in the mids and treble and 5 is at the most agressive side of mids!
Thanks Pete I worked really hard at making it a "ready to demolish" tone!stratotone":2775wtcj said:Jeff Hilligan":2775wtcj said:dfrattaroli":2775wtcj said:I understand that more gain means more noise. I've played a Bogner Uberschall that was hissier than a gay rattle snake stuck in Richard Simmons corn-hole. I just noticed that it's a bit noisier than the MHG and Erect and wanted to find out if anyone heard the same thing.
It is due to the fact that both MHG and Erect have scooped mids compared to EG5. Now I am not saying they don't have mids but when you put them up against 5...they don't! Gain resides in the mids and treble and 5 is at the most agressive side of mids!
Agressive my ass, I could have used the EG5 I had for controlled demolition of structures with a Randall RM20 combo!
dfrattaroli":2hvzpjcw said:Got it. I just played for about 30 minutes or so. The mods really are different even if it's just a cap or resistor value that makes the difference.
I'm thinking about trying the M4 with a Mesa 2:90 or something just to see how it's different from the VHT.
Dave
aeroic":1wlqctou said:dfrattaroli":1wlqctou said:Got it. I just played for about 30 minutes or so. The mods really are different even if it's just a cap or resistor value that makes the difference.
I'm thinking about trying the M4 with a Mesa 2:90 or something just to see how it's different from the VHT.
Dave
I hated the Mesa 2:90. I used my M4 w/ the 2:90 for a bit, and it was dark and muddy. The way Mesa designs their power amps, I just don't understand. It was rolling off a lot of my high end, and just was not nearly as punchy and full sounding as the VHT power amps. What I would recommend, is to get a 2/90/2. The 2/90/2 is designed after the VHT 2150 power amp, which is held by MANY people as the best power amp ever. I've owned one and absolutely loved it. The 2/90/2 was about 95% as good as the 2150, but lacked the huge monsterous gerth that the 2150 had. What led me to sell the 2150, is that is a 4-space friggin heavy piece of rack gear, and I was getting killer tone out of the 2/90/2 w/ 6550s. If I were a touring musician, I'd still have the 2150 w/ the 2/90/2 as a backup.
I really do like the 2/50/2, but the 2/90/2 is really just that much better. They are two differing designs, where most people that I know that have A/B'ed them pick the 2/90/2.
Eric
broknstuff":2xjrbr7g said:aeroic":2xjrbr7g said:dfrattaroli":2xjrbr7g said:Got it. I just played for about 30 minutes or so. The mods really are different even if it's just a cap or resistor value that makes the difference.
I'm thinking about trying the M4 with a Mesa 2:90 or something just to see how it's different from the VHT.
Dave
I hated the Mesa 2:90. I used my M4 w/ the 2:90 for a bit, and it was dark and muddy. The way Mesa designs their power amps, I just don't understand. It was rolling off a lot of my high end, and just was not nearly as punchy and full sounding as the VHT power amps. What I would recommend, is to get a 2/90/2. The 2/90/2 is designed after the VHT 2150 power amp, which is held by MANY people as the best power amp ever. I've owned one and absolutely loved it. The 2/90/2 was about 95% as good as the 2150, but lacked the huge monsterous gerth that the 2150 had. What led me to sell the 2150, is that is a 4-space friggin heavy piece of rack gear, and I was getting killer tone out of the 2/90/2 w/ 6550s. If I were a touring musician, I'd still have the 2150 w/ the 2/90/2 as a backup.
I really do like the 2/50/2, but the 2/90/2 is really just that much better. They are two differing designs, where most people that I know that have A/B'ed them pick the 2/90/2.
Eric
Is there a big difference in weight between them Eric?