Micheal Wagener mentions tourmaster and tweaker

[Anonymous]

in this thread....
viewtopic.php?f=3&t=89313&start=0
i thought that was pretty awesome....!

Michael

Thanks for joining us and answering out questions.



Which amps seem to get the most use at your studio?

Of all the MTS and Egnater stuff, what is the most used Modules. Is it still the Wagener Deluxe by Salvation?

can you elaborate on your current go to line up while tracking guitars?

Royer----TG2----CraneHeadsong ?

Any EQ or compression?



Thanks in advance.


I have lots more questions but will only bother you with these for right now!

It really depends on the song, but for the heavy stuff I like the Engl, the Salvation Wagener module, the Pete Turley 800 module and the Industrial Amps 120as well as the Splawn Quick Rod. For the more AC/DC direction I like the Splawn Quick Rod, the 1976 Marshall 2203, Voodoo Amps Vplex, Metropulous 12000 (68). The most versatile amp to me is the Egnater Tourmaster and for the lower Watt area the Egnater Tweaker. I have a Diezel Herbert and a Blackstar on the way, so more about those later. For the clean stuff I use a 1975 Stramp 4120 or the Roland Jazz Chorus. Anybody knows where I can get a 70s STRAMP 2100A for decent price?

Mics and preamps are mentioned above. All mics get mixed together (after the pre-amp) in the SSL AWS 900 and routed out to the CraneSong HEDD for the Tape process the recorded on a single track in Nuendo. No EQ or compression, the amps are the best guitar compressors already

 

[Anonymous]

and again!

Hi Michael, welcome and it's a honor to chat with you. With the equipment thats out today as far as amps go, what amps have you heard that just sound incredible out of the box or do you find that the old ones still have the best sound? Thanks again!!

Splawn Quick Rod, Industrial Amps 120, Egnater Tourmaster, Diezel (any), Metropoulos. There might be more...

lots and LOTs of info over on this thread too btw