ruso
New member
Ok, so I just got done testing a variety of modules (Thanks Jeff!) and here's what I have found...
First off, a comparison between the EG5 and the MHG...
I've been hearing from various people that you can get the EG5 to sound pretty close to the MHG by backing off of the middle and treble, so that's what I set out to do. First, I set the masters of both modules so that they were similar in volume. I also set all of the gains to 1 o'clock. I then set all of the tone controls on the MHG at 12 o'clock for a fair means of comparison. I then proceeded to switch back and forth between both modules, adjusting the EG5's tone controls until I got a close match. The closest I could get the EG5 to the MHG was to set the middle between 9-10 o'clock and the treble at 9 o'clock. However, the EG5 still stood out regardless of what I adjusted. Furthermore, I could not eliminated any of the "jangley" sound from the lower strings (I play a seven string so that could have something to do with it). From a visual standpoint, It appears that the EG5 has roughly 25% more middle and treble range of adjustment.
Next, I attempted to get the MHG to sound like the EG5 set to 12 o'clock across the board. The closest I could get the MHG was to set the middle and treble around 3 o'clock but this is where the MHG grew a personality of its own. It didn't really sound "nasely" to me which Jeff had suggested in a previous thread, but it was almost like the presence was turned up on the power side. It really started to sound brittle compared to the EG5's midrange. I should also add that setting the presence anywhere over 1 o'clock with the EG5 really started to sound bad.
So I guess I need to decide between the two. Being that I don't play gigs and that I'm more of a home musician, the MHG might be a better choice for me. If I could get the EG5 to sound exactly like the MHG, I'd keep it, because having that option of being able to cut through more is appealing to me. However, I can't justify having to turn down the middle and treble that far for most of my playing. Plus the "jangley" sound of the lower strings sounds kind of awkward to me. I'm just not sure yet. So the MHG was starting to be my go-to module until...
I threw in the SL2...
Not really much to say about the SL2. To my ears it really sounds a lot like the MHG. Am I hearing things correctly? Other than a different midrange voicing, are they kind of similar? And am I right in saying that the SL2 sounds more "organic" and that the MHG sounds more "digital" or "modern?" To me the MHG also has more "fizz" to the sound when compared to the SL2. The SL2 actually seems to be a little smoother. Power chords and palm muted rhythms seem to be more liquid and less gritty. Are there any other modules similar to the SL2 that you guys would suggest?
And... the ERECT...
I don't really have much to say about the ERECT either... just like Jeff said... "it is what it is." It's capable of some really deep rhythms and can really get the Egnater 112 to shake the room like a ghetto blaster, but that's about it. It has a really raw gritty sound which could be useful for some of the heavier metal riffs I record, but I think I'd rather spend the $400 on something more useful. And are both channels of the ERECT the same?
I'm going to spend a little more time with these before deciding on which ones to keep. Any input or comments you guys may have would be great.
-Ryan
First off, a comparison between the EG5 and the MHG...
I've been hearing from various people that you can get the EG5 to sound pretty close to the MHG by backing off of the middle and treble, so that's what I set out to do. First, I set the masters of both modules so that they were similar in volume. I also set all of the gains to 1 o'clock. I then set all of the tone controls on the MHG at 12 o'clock for a fair means of comparison. I then proceeded to switch back and forth between both modules, adjusting the EG5's tone controls until I got a close match. The closest I could get the EG5 to the MHG was to set the middle between 9-10 o'clock and the treble at 9 o'clock. However, the EG5 still stood out regardless of what I adjusted. Furthermore, I could not eliminated any of the "jangley" sound from the lower strings (I play a seven string so that could have something to do with it). From a visual standpoint, It appears that the EG5 has roughly 25% more middle and treble range of adjustment.
Next, I attempted to get the MHG to sound like the EG5 set to 12 o'clock across the board. The closest I could get the MHG was to set the middle and treble around 3 o'clock but this is where the MHG grew a personality of its own. It didn't really sound "nasely" to me which Jeff had suggested in a previous thread, but it was almost like the presence was turned up on the power side. It really started to sound brittle compared to the EG5's midrange. I should also add that setting the presence anywhere over 1 o'clock with the EG5 really started to sound bad.
So I guess I need to decide between the two. Being that I don't play gigs and that I'm more of a home musician, the MHG might be a better choice for me. If I could get the EG5 to sound exactly like the MHG, I'd keep it, because having that option of being able to cut through more is appealing to me. However, I can't justify having to turn down the middle and treble that far for most of my playing. Plus the "jangley" sound of the lower strings sounds kind of awkward to me. I'm just not sure yet. So the MHG was starting to be my go-to module until...
I threw in the SL2...
Not really much to say about the SL2. To my ears it really sounds a lot like the MHG. Am I hearing things correctly? Other than a different midrange voicing, are they kind of similar? And am I right in saying that the SL2 sounds more "organic" and that the MHG sounds more "digital" or "modern?" To me the MHG also has more "fizz" to the sound when compared to the SL2. The SL2 actually seems to be a little smoother. Power chords and palm muted rhythms seem to be more liquid and less gritty. Are there any other modules similar to the SL2 that you guys would suggest?
And... the ERECT...
I don't really have much to say about the ERECT either... just like Jeff said... "it is what it is." It's capable of some really deep rhythms and can really get the Egnater 112 to shake the room like a ghetto blaster, but that's about it. It has a really raw gritty sound which could be useful for some of the heavier metal riffs I record, but I think I'd rather spend the $400 on something more useful. And are both channels of the ERECT the same?
I'm going to spend a little more time with these before deciding on which ones to keep. Any input or comments you guys may have would be great.
-Ryan