
rsm
Well-known member
Delivered yesterday.
Still experimenting and exploring the sounds. I wanted something that could cover more vintage EL34 tones than my Engl rack (6L6GC).
Cabs: 2 x Engl PRO E212VHB (V30)
Guitar used: Ibanez PS120. Seymour Duncan '59 model (neck); Seymour Duncan Custom 5 (bridge)
Initial impression: has way more low end than I need; the cabs contribute to the low end. Clean and crunch tones have good clarity, these are the main sounds I wanted from the amp, still dialing them in, and both are different from my Engl rack. Settings in the pic are close for the crunch tone I want at this master level; haven't explored the Lead channel much yet, but it's very similar to my Engl rack.
haven't pushed the Master past 10 o'clock...yet. Gonna need some kind of attenuator, don't know much about them, but I'm using 2 cabs, so I'll need 2 attenuators...
So far so good. Have to work soon...
Still experimenting and exploring the sounds. I wanted something that could cover more vintage EL34 tones than my Engl rack (6L6GC).
Cabs: 2 x Engl PRO E212VHB (V30)
Guitar used: Ibanez PS120. Seymour Duncan '59 model (neck); Seymour Duncan Custom 5 (bridge)
Initial impression: has way more low end than I need; the cabs contribute to the low end. Clean and crunch tones have good clarity, these are the main sounds I wanted from the amp, still dialing them in, and both are different from my Engl rack. Settings in the pic are close for the crunch tone I want at this master level; haven't explored the Lead channel much yet, but it's very similar to my Engl rack.
haven't pushed the Master past 10 o'clock...yet. Gonna need some kind of attenuator, don't know much about them, but I'm using 2 cabs, so I'll need 2 attenuators...
So far so good. Have to work soon...