B
braintheory
Well-known member
Got this 3 days ago now. It is my 6th Charvel and for me hands down the best one I’ve had yet, but not sending the others packing since they’re all different in tone, woods and other specs. Amazing how I wasn’t into Charvel’s at all until a year ago. I’ve got also a 2019 Sassafras Custom Shop San Dimas, 2016 Mahogany one, 1995 Koa Custom Shop SD, and ‘84 & ‘86 SD’s with alder and maple bodies respectively. This one is defintiely the most lively and resonant sounding one both unplugged and plugged in, almost sounds like a vintage guitar in that regard (but not all the way there), very well balanced tone and good tightness. My 2019 Sassafras Custom Shop was my favorite of the bunch in playability (and overall favorite before), but this one I think plays even a little better. The Sassafras one though still has this really pleasing, unique midrange voicing and warm growl to it that this one doesn’t have, but this new one sounds a lot more alive, sustain-y and has a vintage-like tone that tends to make most other newer guitars sound flat/sterile comparatively
For a while I honestly looked down on alder as a tonewood for humbucker guitars (perfect for strats though) and thought it was all around inferior to mahogany for them, but have changed my mind about half a year ago and this is another example to prove me wrong. It still definitely doesn’t have the growl/roar or chunk of good Honduran mahogany, but has more sparkle, sheen and it’s own character. I’ve already done several pickup swaps to tinker with it. The Dimarzio’s it came with were awful (creme ones in the first photo). I like best so far in the bridge my Tone Specific signature Highoutput model (sold all my other hot pickups since getting those)(Bloombucker in it now is also good). In the neck the Tone Specific virtuoso sounded great, but I actually have now a Tone Specific ‘65 Strat neck in there and it’s a killer Strat tone. I don’t care that it looks funny in a humbucker slot. The 2nd photo is with the Signature bridge and Virtuoso neck (zebra pickups). The only pickups I use these days are just Tone Specific’s, real vintage pickups and just one guitar with Fishman Fluence’s that I don’t use much
Of the 35 guitars I currently have (selling at least 1/3 of them) this would probably land somewhere in my 4th-6th favorite spot. My ‘57 LP Jr has been by far my #1 since getting it and every time I go back to it I think why do I need all this other junk haha, but they all have their place still. I’ve noticed that pretty much all the guitars that would be in my top 10 (or even 15) are beat up looking whether it’s because they’re relic’d, actually vintage or dinged from the previous owner’s use. Maybe there’s something to it that makes them sound better. Just a theory
For Super Strat style guitars these have still been my clear favorites. I’ve had in the past a James Tyler, ESP Custom Shop Horizon’s, 3 Mayones’s (tried many more), 2 Vik’s, Aristides, Bernie Rico Jr, McNaught, Barlow, Skervesen, PRS and have tried many guitars by Suhr, Tom Anderson, Caparison, Siggi Braun, Schecter Custom Shop, and others I’m surely blanking on. Still haven’t tried a GNG though (very curious about them). The only other SS’s I’m keeping besides the Charvel’s are my ‘86 Paduak body Schecter, an all rosewood body guitar by DC and my Dean Gordon, but that’s technically a super tele
For a while I honestly looked down on alder as a tonewood for humbucker guitars (perfect for strats though) and thought it was all around inferior to mahogany for them, but have changed my mind about half a year ago and this is another example to prove me wrong. It still definitely doesn’t have the growl/roar or chunk of good Honduran mahogany, but has more sparkle, sheen and it’s own character. I’ve already done several pickup swaps to tinker with it. The Dimarzio’s it came with were awful (creme ones in the first photo). I like best so far in the bridge my Tone Specific signature Highoutput model (sold all my other hot pickups since getting those)(Bloombucker in it now is also good). In the neck the Tone Specific virtuoso sounded great, but I actually have now a Tone Specific ‘65 Strat neck in there and it’s a killer Strat tone. I don’t care that it looks funny in a humbucker slot. The 2nd photo is with the Signature bridge and Virtuoso neck (zebra pickups). The only pickups I use these days are just Tone Specific’s, real vintage pickups and just one guitar with Fishman Fluence’s that I don’t use much
Of the 35 guitars I currently have (selling at least 1/3 of them) this would probably land somewhere in my 4th-6th favorite spot. My ‘57 LP Jr has been by far my #1 since getting it and every time I go back to it I think why do I need all this other junk haha, but they all have their place still. I’ve noticed that pretty much all the guitars that would be in my top 10 (or even 15) are beat up looking whether it’s because they’re relic’d, actually vintage or dinged from the previous owner’s use. Maybe there’s something to it that makes them sound better. Just a theory
For Super Strat style guitars these have still been my clear favorites. I’ve had in the past a James Tyler, ESP Custom Shop Horizon’s, 3 Mayones’s (tried many more), 2 Vik’s, Aristides, Bernie Rico Jr, McNaught, Barlow, Skervesen, PRS and have tried many guitars by Suhr, Tom Anderson, Caparison, Siggi Braun, Schecter Custom Shop, and others I’m surely blanking on. Still haven’t tried a GNG though (very curious about them). The only other SS’s I’m keeping besides the Charvel’s are my ‘86 Paduak body Schecter, an all rosewood body guitar by DC and my Dean Gordon, but that’s technically a super tele
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