joepete77":1a491dt0 said:
Yeah , I have heard demo takes for a few different tracks off that record and it does have a digital fx laden tone, but that was par for the course back then. Even later on when I saw Steve live with billy I thought his tone heavily processed sounding although it still fits those songs perfectly. I have heard demo tracks for catch my fall that have heavy chorus and compressed but such a cool song. I also love blue highway. That record kicks ass and holds up well over time.
Lately I've been listening to both the
Rebel Yell and
Billy Idol albums in my car, particularly the session takes.
Sometimes some of the session takes sound like he's using a Rockman headphone amp with the default chorused distortion setting on.
Particularly the
Rebel Yell song session take.
Maybe because it's just a session take- and didn't have time to set up his main rig?
Other times (e.g.
Blue Highway) it sounds like the super-processed track alone, without a double-track with a dry sound (which I guess he added afterwards for the album recording).
As I said earlier we always mention his Roland SDD-320 Dimension D combined with the Rockman's chorusing for
Flesh for Fantasy- but did Steve use it for the dirty chorus parts too, or a Harmonisor? And what about the other tracks?
And what about on the earlier
Billy Idol album?
In comparison, the
Billy Idol album sounds a lot more chorusey to
Rebel Yell. Would that be that for
Rebel Yell, Steve may have added extra layers with dry guitars, or a wet/dry/wet setup with a harmonisor rather than just wet/dry-stereo chorus?