FourT6and2
Well-known member
Built using a Ceriatone chassis and blank turret board. It's whatever you'd like to call it, but it's not a Chupa or Yeti. I've got a few of these built and just need to clean house a bit. Too many amps.
50-watt 2204 circuit with Jose-style high gain mods.
This amp is angry and mean. It has snarl and aggression and it's tight and stops on a dime. But it also has a very sweet and musical upper-mid range. It can do cleans as well, but it's single channel and meant more as a modern high-gain machine. But it can do lower gain stuff all the same. Drop-tune or use a 7/8 string and it will do all the djenty heavy chugga chugga stuff no problem.
That said, for an additional cost, I can easily modify any part of this amp to suit the buyer's desires, including but not limited to:
50-watt 2204 circuit with Jose-style high gain mods.
This amp is angry and mean. It has snarl and aggression and it's tight and stops on a dime. But it also has a very sweet and musical upper-mid range. It can do cleans as well, but it's single channel and meant more as a modern high-gain machine. But it can do lower gain stuff all the same. Drop-tune or use a 7/8 string and it will do all the djenty heavy chugga chugga stuff no problem.
- –Custom power and output transformers by Marstran. JTM45 1202-55 PT and JMP50 784-139 OT.
–F&T filter caps.
–IC MPW signal caps, with NOS Vishay/ERO MKT1813 cathode bypass caps
–High quality, low-noise, non-inductive Beyschlag MBE0414 thin-film resistors. 1 watt, 500v, 1%.
–Vishay 1-watt, 500v, 1% metal film resistors in bias supply.
–Mix of high-quality NOS caps in tone stack, PI, Presence, Depth, and voltage divider.
–All hook-up wire is silver-plated PTFE and ETFE, rated at 600v.
–Alpha pots.
–Genuine UK Cliff jacks.
–Shielded coax used in key places to reduce noise.
That said, for an additional cost, I can easily modify any part of this amp to suit the buyer's desires, including but not limited to:
- Changing diodes for more or less clipping
Adding or reducing gain
Raising/lowering voltages for more sag or a tighter response
Changing tone stack for more mids, less mids, more low-end, etc.
Changing depth control for more punch or more deep low end
Changing PI back to stock Marshall values
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