Splawn Quickrod

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peterc52

peterc52

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Never tried a Splawn before.

How does is stack up against the classic 2203/2204 Marshall?

How did you like the quickrod?

Maybe I should try one :)
 
They're badass, and built particularly well. More aggressive with a bump in the low mids. A thrash metal machine! Tight, focused, great clarity.
 
I’ve got a 2018 fully loaded QR and given the improvements Scott’s made I’d say it blows the doors off any non-modded 800. The clean channel is nice, the loop MV works great and the EQ is a lot more sensitive than on older models.
 
I really loved my Pro Stock overall. Gear 1 was truly perfect for Slash. Gear 2 was where I lived mostly. I rarely ever boosted my Splawn as it was a great mix of tight saturation with a little bit of compression. Tons of bass, so I usually dialed it back. Cut in a live mix perfectly.

My only negs:

1) my 100w was louder than I needed or SOME of the sound guys could handle on the stages we played. (We play places like House of Blues and some decent sized stages locally, and even those bigger stages are keeping stage volume lower--so annoying). Yes, the Loop Master does help quite a bit, but it's not a perfect solution to get those optimal tones out of the Splawn, IMO. They need to be at least at 9:0- 10:00 on the Volume to get the the goods, but at that point it's pretty loud, but the sound and feel is pretty huge and very worth it: awesome fun. You will hear others say, "loop volume solves that" and what not, but to me, it only gets you 80% there, TOPS, with the tone you want. It's not an apartment-friendly amp at 100w--again, to get those optimal Splawn tones. But yes, any amp can do 'low volume', but it's subjective at how much you dig them at that low volume. You can see all my posts on the forums asking about the "too-loud" factor for apartments at 100w and many said, "it's fine with Loop Master" and I have to disagree. Again, my opinion, I'm sure others will neg me. ...That said, the TONE and FEEL was great to me.

2) Gravelly 'thing' in the notes: I posted this in the Splawn thread on TGP and someone replied with it's how the tone stack is. Basically, in a non-band setting, I would hear this 'gravelly, scratchy' thing in the notes. Well, come to find out, it's also a 'thing' in other modded Marshall amps I have. I have a BFG modded Egnater Seminar Amp and I can hear the same thing. My Friedman's don't do it, and it's not really a bad thing, but for me, it kind of irritated me--but only when playing along and when I was really listening for it. You can also not notice it by being so lost in the eargasm you're having while also enjoying the feel of the amp. But again, I think some other circuits do this and it's part of 'that' sound. I'm sure others will disagree or not know what the hell I'm saying here.

3) More speaker dependant than some other amps I've ad. I find that M speakers make it a little easier to tame the Splawn inherent mid and brightness vs. H speakers, which tend to be brighter n nature. I would love to try a Splawn with Redbacks!!

But other than that, I actually have been looking at a fully loaded 50w Pro Stock/QR or Street Rod. I still loved my Pro Stock all 4 years I had it, despite some moments where I was perplexed or unsure how much I loved it. They are HUGE bargains, and I do believe they hang with amps twice or more their cost.

Really play one if you have the chance. I can't recommend them enough, overall.
 
I had two different Splawn Quickrods and they were KILLER. Really hard to beat for the money if you're after the modded Marshall sound. I'd say definitely try to find one with the Loop Master Volume since they can get real loud, real quick. Wish I had kept mine. I shot it out against a BE100 right when the original BE100 came out and I think I was digging the refined sound of the Friedman. However, the Splawn has that HUGE, raw, low end punch of a Marshall. Can't go wrong.
 
Had a Drop B+ QR and it had HUGE low end punch, killer gain structure, aggressive midrange grind and great clarity/articulation. Phenomenal amp for the heavy stuff & probably great for hard rock/classic rock too but I never went there during the time I had it.

I just borrowed a buddy's 77 2204 and I'd say the QR I had was much bigger sounding, meaner, had much more saturation available & had greater clarity/note separation.
 
I never owned an 800 because it lacked some things I wanted but as others have said, if you are looking for these kinds of things in a modded marshall'y' amp then def consider the QR:

Nice clean loop that can handle just about anything
Clean channel that can be very clean up to edge of break up
Switchable 'Gears'
Foot-switchable channels, OD1/OD2, Solo (and gears on more recent models)
The QR is not cathode following gain stages
Massive massive iron
Excellent build quality and customer service

Not sure on the gravely gain thing, I consider the gain to be pretty smooth. Like a purr.
 
I had a Quick Rod and a Nitro. I really liked both but I wanted a bit more saturation so I got a KSR. I love my KSR but if I had the opportunity to get another Splawn I would do it in a heart beat. I just grabbed a JJ jr recently which was my first Friedman and even though everyone seems to prefer the Friedmans I prefer the Splawn. Its just so freaking agressive and has an immediate attack.
 
It's my favorite amp of all time. I recently went through all of the boutique British flavored amps, and shot them out against my QR. They were all fantastic amplifiers, but for the tones that I like and the way that I play, the Quick Rod was the one that stayed. Super tight, punchy and has just the right mix of open rawness where you want it, and just the right hint of compression to keep the highs singing...without being harsh. A 2203 is a fantastic amp, but if you want a unique spin on the Marshall circuit with a lot of muscle, the Splawn is a really cool amp.
 
Ugh... I'm seriously giving these another look. ...How did you guys handle the volume? Loop Master, Attenuator, lived on a farm with civilization withing 10 mile radius??
 
Junk Yard Dog":383nbb40 said:
Ugh... I'm seriously giving these another look. ...How did you guys handle the volume? Loop Master, Attenuator, lived on a farm with civilization withing 10 mile radius??
The built in loop master worked great. I was living in an apartment when I had mine and was able to get great sounding/feeling tones when I was playing at home. No extra gear needed.
 
Junk Yard Dog":kgobvk1i said:
Ugh... I'm seriously giving these another look. ...How did you guys handle the volume? Loop Master, Attenuator, lived on a farm with civilization withing 10 mile radius??

Loop master works well, but the magic lives in the volume. Its loud as shit! I have a 50 watt Competition, and even 25 watt mode is insane. If you can crank it, you'll have a shit-eating grin for hours.
 
Junk Yard Dog":p3cdxf0t said:
Ugh... I'm seriously giving these another look. ...How did you guys handle the volume? Loop Master, Attenuator, lived on a farm with civilization withing 10 mile radius??

The loop master volume works great. Get the channel volume up past 10 o'clock and then just use the loop volume for overall volume control. I regularly play my QR at apartment volumes. I also use a Suhr Reactive Load and play it through my monitors. Either way sounds great for when you need to keep the volume down.
 
napalmdeath":1uty80mq said:
Loop master works well, but the magic lives in the volume. Its loud as shit! I have a 50 watt Competition, and even 25 watt mode is insane. If you can crank it, you'll have a shit-eating grin for hours.

Sweet. Have you compared the 50w to a 100w? It sounds like the 50w would sound just as huge as most other 100w heads. ...Example: I played a Mesa TC100 and wasn't impressed. My Splawn would have taken it as a snack. Not saying it was a bad amp at all, but it just didn't sound nearly as big.

Nitrobattery":1uty80mq said:
The loop master volume works great. Get the channel volume up past 10 o'clock and then just use the loop volume for overall volume control. I regularly play my QR at apartment volumes. I also use a Suhr Reactive Load and play it through my monitors. Either way sounds great for when you need to keep the volume down.

Yeah, I think you're right. 10:00 on MV and LV to taste, but too low on both and the tone is a fizzy mess, but it has to be REALLY low for that.
 
I have a KT88 Promod and KT88 Nitro and love them. I like the KT88 is my preference for Splawn. They are exceptionally well built and spec'd. I love them.

They do not get along well with just any cab. Forget about it. They tolerate some cabs, hate others. I have never owned such a cab dependent amp. They need volume. Period. If you can't play loud, I don't think you will find them as enjoyable as other amps.

If you can turn them up, you will love them when paired with the right cab. I run mine at half power with one pair of tubes pulled. Still loud as hell.

On the flip side I am loving my Supersport. That is a VERY mean 20 watts, and a killer amp.
 
swamptrashstompboxes":i3zncq9d said:
I have a KT88 Promod and KT88 Nitro and love them. I like the KT88 is my preference for Splawn. They are exceptionally well built and spec'd. I love them.

They do not get along well with just any cab. Forget about it. They tolerate some cabs, hate others. I have never owned such a cab dependent amp. They need volume. Period. If you can't play loud, I don't think you will find them as enjoyable as other amps.

If you can turn them up, you will love them when paired with the right cab. I run mine at half power with one pair of tubes pulled. Still loud as hell.

On the flip side I am loving my Supersport. That is a VERY mean 20 watts, and a killer amp.

Yup. Agree with all this...except... I haven't played a SuperSport.
 
swamptrashstompboxes":14cdt0v5 said:
I have a KT88 Promod and KT88 Nitro and love them. I like the KT88 is my preference for Splawn. They are exceptionally well built and spec'd. I love them.

They do not get along well with just any cab. Forget about it. They tolerate some cabs, hate others. I have never owned such a cab dependent amp. They need volume. Period. If you can't play loud, I don't think you will find them as enjoyable as other amps.

If you can turn them up, you will love them when paired with the right cab. I run mine at half power with one pair of tubes pulled. Still loud as hell.

On the flip side I am loving my Supersport. That is a VERY mean 20 watts, and a killer amp.

Did your's have the loop level knobs because I felt using those in conjunction with the master & ch volume I could get GREAT lowish volume tones. Of course it sounded much better wound up..kind of goes without saying.
 
I run my volume at about 10-11:00, and use the loop master. It is very warm getting that volume up.

These amps don't rely on preamp gain like the more saturated high gain preamp, they like power amp juice. I would say the 50 watt is more than sufficient. I've owned MANY amps, and all 4 Splawns I've owned have been certainly in the top 3 loudest amps I've ever had. I had a few Mesas that were pretty insane, and another that comes to mind is both the Laney GH50, and 100L. STUPID loud!

That said, the Splawns do really well at low volumes. NO preamp fizz, whatsoever. Warm, beefy tone, cranking the master, and adjusting to taste with the loop volume knob.
 
napalmdeath":1adr6ay5 said:
NO preamp fizz, whatsoever.

That is the key. I hate fizzy amps. Tried DSL's, 5150's, Rectos. I can't stand that fizzy top end they get. Splawns have plenty of gain without the fizz. I have a 100 watt Quick Rod and also a 50 watt EL34 Super Sport. The 50 watter is a little more snotty sounding but you can't go wrong with any of them.
 
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