Joey,
I just re-tubed my Einstein combo with KT77's after owning it for 3+ years. Olaf told me that my original EL-34's are still good and may be used as spares. I got the bias on the KT77's to read 34.1 on tube A and 34.2 on tube B.
Awhile ago, Olaf mentioned to me about the 5751's, so I got one and when I replaced my power tubes, I did the following. Replaced V-1 NOS Mullard 12AX7 with another NOS MUllard 12AX7 with a different build configuration. Replaced V-2 NOS Mullard 12AT7 with a NOS 5751, replaced V-3 with a different NOS Mullard 12AT7, replaced phase inverter NOS Muallard 12AT7 with a balanced NOS 12AT7. The tubes I replaced in the pre amp section were all perfectly fine tubes, but I tried out different build types. They were all NOS old tubes that I replaced.
I did this all at the same time. The amp has a totally different voice now and has properties of a great EL-34 and a 6L6. The V-2 tube swap to a NOS 5751 gave me more chance to open up the gain on that channel and still have a clear, transparent voice with more singing violin-esque sustain.
I never turn up gain on channel two past 9 o'clock as it just clutters up the clarity of that tone, but with the 5751, the gain may now be turned up to about 9:30-10:00 o'clock.
While this doesn't seem like a big deal, the clarity of the tone is way better, and the sustain is there in a larger amount. I'm sure changing out the other tubes had something to do with it, as well. I know that the basic voice of the power tubes is very EL-34-like but with a more defined glassy top end and a sweeter tone all around due to the JJ KT77's.
The Mullards have always added a sweeter basic tone to the amp to my deaf ears, but because of the 5751, it seems to have affected the amp in the same way on channel two's distortion, that changing from EL-34's to KT77's have affected it. The tone on channel two seems to have a wider, more open tone, but sweet and with more then enough sustain to play many styles of music by just adjusting the volume controls on the guitar now, yet still allowing sustain to go into controlled feedback when my master volumes are up at about 11 o'clock or higher.
While the amp's tone is the sum of it's tube types, I hear a difference that is very pleasing, and not the least bit offensive when the treble on channel two is advanced at lower playing volumes to about 2 o'clock . At higher playing volumes, I leave the treble on channel two at no higher then 12 o'clock, with the bass at 10:30, mids at 11, presence at 2, channel volume at 4 and deep bass at 11-12 o'clock, gain at 9-10 o'clock.