Zinky Mofo??

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MadAsAHatter

MadAsAHatter

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While I was waiting to pick up my amp from the shop I spotted a Zinky Mofo they had on consignment. I only got to play on it for about 10 min on a little hand made 1x12 with a readcoat speaker in it so I really didn't get a good chance to gauge the sound. The only thing I really know is they were built by Bruce Zinky and he didn't make very may of them.

I plan to go back to give it a better test run. In the mean time can anyone give me some extra info on this amp and if you've played one before what I can expect from the sound? I don't suppose anyone would know what a fair price is on one of these?
 
I owned one. They are rare, and it’s a beasts! Hard to give a comparison as it’s been years, but I remember really liking it, and it being a little more refined? Again it was 10 plus years ago but I remember it being a beast!
 
While I was waiting to pick up my amp from the shop I spotted a Zinky Mofo they had on consignment. I only got to play on it for about 10 min on a little hand made 1x12 with a readcoat speaker in it so I really didn't get a good chance to gauge the sound. The only thing I really know is they were built by Bruce Zinky and he didn't make very may of them.

I plan to go back to give it a better test run. In the mean time can anyone give me some extra info on this amp and if you've played one before what I can expect from the sound? I don't suppose anyone would know what a fair price is on one of these?
Mofo owner/expert here. Had #20, a "Thorn" which is a Mofo with American iron, and currently own Mofo #42.

Price? $600-$1,000, give or take.

The Mofo was voiced around a 50's Esquire Tele with a weak A2 single coil. Try playing something similar, and you will note the Goddamn thing is Keef tones all day long.

Clean channel is an AC-15. There are some mods he did in the later revisions, couple of resistors, dynamics and mid boost. I have the instructions.

Gain channel is same as the Tone Master he made that Dave Grohl and many others use. It's a modified '59 Bassman TMB circuit. Has a dynamics mod, super easy, allows the output section to overdrive, whereas stock that's prevented kind of like an SLO. You want this, really opens it up.

As for preamp tubes, comes with Sovtek or EHX short plates, unless it was made for a friend of his, like mine, which came with a Sovtek LPS in V1 and vintage RCA longplate 12AX7's in V2 and the PI. It loves long plates: EI, Sylvania, and especially real Mullards! The amp can be harsh and I only use long plate 50's Mullard f91/f92's in all three slots (I'm a Mullard pre/JJ KT77 power slut like Bob Gjika).

Power tubes are the Sovtek 5881's, and he notoriously overbiases them cold. ANYTHING will likely be better than Mike Matthews production, non-military Sovtek 5881's. They have harsh, "gray" highs and combined with the Sovtek MiG-50 iron in the thing @550v B+ will produce icepick treble that will not go away no matter how hot you bias it, unless they begin to redplate, and then it will sound good until they die. This is justification for a Kemper purchase in my estimation!

Going on the road? Leave it stock, it will not fail, and will cut like a light sabre. If not, IMHO based on nearly 20 years of ownership, if you must stick to stock, the amp sounds much better with the rebranded silver letter "SOVTEK 5881" (not the black newer ones) or original Russian branded 6P3S-E's. Both of these are the same internally (OG Russian Military made) and they are superior to the Sovtek production in every dimension, tone-wise. It's night and day! In my experience, it likes JJ's best. The 6L6's yield a more organic, Bogner-esque lower mid grind and spaciously deep clean, it loves E34L's and is perfect with JJ KT77's. If you want it to be Godlike, have it cathode biased and get the tubes cooking at idle, like over >25 watts each. PM me for the God mode special sauce if you want, and you will want. :)

Stock, the gain channel will produce a smile EQ with a mid dip if you dime it. Try that at low volume as it's satisfying and opens the amp up. This functions like a "Loudness" button on a stereo. As you crank it, use the tried-and-true Tone Master setting of T7, M3, B2 and go from there. The stock mid pot is 25K, and changing that to a 50K like EVH as seen in the fantastic Pete and Dave video is REALLY something if you're into mids and rock tone. You can still get the scoop if you keep the knob low, but dimed will have less of a smile and really open up, vocally, in the midrange.

As for speakers, the amp REALLY likes V30's, see if you can find a V30 cab to experiment with. The stock cab has 50oz Eminence V30 copies (his spec) and these work killer if the cab is stuffed with polyfil and you're using a strat/tele with weak A2 pickups. My advice is put the fucker on a Mesa 2x12 or 4x12 with V30's and prepare to smile. It's like they were MADE for each other.

If you're going to do rock/metal, go for darker guitars. I can assist further if you buy the amp.

I swear the thing is a desert island amp if you tweak it right. GET IT!
 
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@Nigel Thank you for the great info. I'd mostly play rock and metal. The shot bit i did on high gain sounded like it had enough to be in 80s thrash territory which is where I like to sit. I'll check what tubes are currently in it and if any extra mods were done. I did take a look at the backside and saw it was #65.
 
@Nigel Thank you for the great info. I'd mostly play rock and metal. The shot bit i did on high gain sounded like it had enough to be in 80s thrash territory which is where I like to sit. I'll check what tubes are currently in it and if any extra mods were done. I did take a look at the backside and saw it was #65.
It will do Metal! Try that dimed EQ with the Mofo channel and you'll see what kind of modern molten insanity is possible. You will want for naught once we are done, my friend, save GAS for a Superfly 120 with Midi!

Here's a track I did with a Mofo Thorn, KT77's hot, Mullard long plate 12AX7's, 16 ohm V30's, Screamin Demon bridge and Alnico II Pro neck for the solo with a Zinky Master Blaster boost.

 
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Had one of these before. I think #8 or 9. Cool amp. I wanted a chimier clean channel and called Zinky about it. Bruce was nice but pretty much refused to take it in for a mod. I think I sold it out of spite way back when. Ha.

Anyway, the gain channel is really nice. Good bite and enough gain for heavy rock/VH etc. similar in sound to a Soldano, but a different feel.

Clean was meh, but mine was earlier and had no FX loop. I suspect he may have upgraded the clean channel in later models. I think the blue velvet was a production MOFO with the clean and MOFO channels, but I could be wrong.

There is also the Superfly which was supposed to be an all in one Swiss army thing.
 
I've brought one f my guitars with me and will be going back to the shop after I get off work this afternoon to have a good play through. I have a feeling that as long as I can work a decent deal I'll be coming home with it.
 
I've brought one f my guitars with me and will be going back to the shop after I get off work this afternoon to have a good play through. I have a feeling that as long as I can work a decent deal I'll be coming home with it.

Just remember:

  1. V30 cab to demo with if you can find it.
  2. Dime that EQ for low volume first, then T7/M3/B2 with volume.
  3. If it's too bright, mismatch the 8 ohm tap to 16 ohm cab, 4 to 8, etc. as Zinky has said. Tone Master was made the same way. Low volume? 4 into 16. Medium volume? 8 into 16. Stage/full volume? 16 into 16.
  4. HAVE FUN!
-Nige
 
Yep. 30's Western Electric power section too. I want one.
Hi Nigel. I came across your incredibly detailed & informative post about the Mofo in this thread while searching for information about the amp I recently acquired. A 25W, EL84, 1 x 12, Supro Mofo made in the US by Zinky electronics in 2011. It’s a hell of an amp.
I’m only just getting to know it but damn it cuts in a band setting. I’m using it with a relic Tele with SD Antiquities.
I’m keen try some tubes out now & see what happens. I can see JJ’s in the power section & a Mullard 12AX7 in the weird spot between the power tubes. Will pull the V1&2 out & see what’s there.
4C034F20-911C-4A31-8C92-42C58E885FA4.jpeg
 
Hi Nigel. I came across your incredibly detailed & informative post about the Mofo in this thread while searching for information about the amp I recently acquired. A 25W, EL84, 1 x 12, Supro Mofo made in the US by Zinky electronics in 2011. It’s a hell of an amp.
I’m only just getting to know it but damn it cuts in a band setting. I’m using it with a relic Tele with SD Antiquities.
I’m keen try some tubes out now & see what happens. I can see JJ’s in the power section & a Mullard 12AX7 in the weird spot between the power tubes. Will pull the V1&2 out & see what’s there.
View attachment 139213
Russian 6n14n tubes will sound superior to the JJ and Bruce is a fan of the OG/Sovtek tubes. Those antiquities will be right on the money for his tone stack voicing. If you hate the speaker get a Mesa spec 8 or 16 ohm V30, but again Antiquities will sound like pure Keef with that speaker. Get a Master Blaster for leads!
 
Russian 6n14n tubes will sound superior to the JJ and Bruce is a fan of the OG/Sovtek tubes. Those antiquities will be right on the money for his tone stack voicing. If you hate the speaker get a Mesa spec 8 or 16 ohm V30, but again Antiquities will sound like pure Keef with that speaker. Get a Master Blaster for leads!
I love the speaker, it’s the stock Eminence. Seems voiced well for the amp. And yea the amp seems to love the Tele. It’s quite nice with a Gretsch with T-Armonds & I have a 60’s style Strat with some Sliders vintage Strat pickups I think it’s going to love too.
Thanks for the great information.
 
I love the speaker, it’s the stock Eminence. Seems voiced well for the amp. And yea the amp seems to love the Tele. It’s quite nice with a Gretsch with T-Armonds & I have a 60’s style Strat with some Sliders vintage Strat pickups I think it’s going to love too.
Thanks for the great information.
Bad ass man, enjoy!
 
I had one. Sounded great on its own but didn’t cut through the mix well. Can’t remember exactly the cab I used it with but I think it was Genz Benz G-Flex.
 
I had one. Sounded great on its own but didn’t cut through the mix well. Can’t remember exactly the cab I used it with but I think it was Genz Benz G-Flex.
That is absolutely absurd. I’ve had 2 Mofos (20 and now 42) and they peel paint. Must have been your guitar or that cab, certainly, unless it was modded/tube swapped.
 
I could see that with a G-Flex if it's one with those Eminence speakers
 
That is absolutely absurd. I’ve had 2 Mofos (20 and now 42) and they peel paint. Must have been your guitar or that cab, certainly, unless it was modded/tube swapped.

I'm with Nigel on this one. I have #65 and there is Zero problems with it cutting through the mix. Absolutely insane tone and loves V30 type speakers. I've been playing it through my 212/115 cab with Weber Grey Wolf 12's and Blue Dog 15 and it rapes the fuck out the walls when cranked.

Like suggested by Devin, quite possibly the cab you used. I don't know much about those G-Flex cabs. What speakers did they have in them?
 
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