FastRedPonyCar
Active member
Got a quartet of Ruby KT88's, pre burned in and matched up.
Sorry for the hueg pictures. I thought I resized them enough... oh well.
Had to do some modifications to get them to fit. the flat metal clamps are too narrow to accommodate the larger base of the 88's so they had to come out. Also, since this is my gigging amp, something's gotta hold them in so I ordered a set of kt88 retainers from the tube store. couple of bucks each.
Anyways, here's what all is needed for the other renegade owners that want to try this.
-Drill/screwdriver w/phillips head. If you use a drill use a socket extender
-Jeweler's (or tiny bit) phillips head and flat head screwdrivers.
- Multimeter
- Wire cutters (not sure if you need these for the head version)
- KT88's
I started by unplugging the speakers from the amp and snipping the zip tie holding the wires together for the internal fan and unplug the connector.
Next, I flipped the amp on its face and removed all the screws on the back panel and removed the panel.
there are 4 large screws holding the amp into the combo that I removed. they're deep past the PCB so the socket extender is needed to get to them.
Once the amp is out, I flipped it right side up laying it on top of the back panel that came off.
Out comes the retainers. Tiny screws.
Retainers go in
Tubes are in! (pinch the top of the retainers so when they slip over the tubes they're snug. Time to bias these bitches up.
BEFORE YOU TURN THE AMP ON SET THE BIAS ALL THE WAY COUNTER CLOCK WISE!! Also, bruce recommends turning all the volume knobs all the way down.
the EL34/6L6 bias setting is WAY too hot as it is and turning it on will pump way too much juice to them so backing the bias all the way down will let you safely raise it up.
Use a small jewelers screwdriver to turn each bias knob. As you can see the bias is nice and low.
Your aim is to turn each bias knob till it reaches between 70 and 80v. 75 was my target.
BE CAREFUL WITH TURNING IT!! the knob is EXTREMELY sensitive. you probably will only end up turning it maybe a quarter of a turn at the most. make tiny adjustments, let it settle a few seconds and then adjust as needed.
like this
When you get the other side biased up, and it's settled, go check the other side. Chances are, it's drifted a bit so adjust it as needed. Once both sides are in their bias range, plug in and tear it up!
As bruce and Jeff have noted, with the tube blend knob in the center, the wattage output is at a maximum so that's where the knob is set. What I've noticed is an immediate increase in overall heft of the sound. It's got (as i assumed) a slightly more percussive attack to the sound and when I really cranked the thing, it has a slightly cleaner overall sound. Most notably when the gain is cranked.
Anyways, it wasn't a particularly cheap mod but when trying to extract the absolute maximum amount of clarity when playing at stupid stage volume, they made a noticeable difference without any loss of character or any tone or voice change. The clean headroom the clean channel has is absolutely astonishing... far beyond any volume I'd ever use on stage to put it in perspective.
Sorry for the hueg pictures. I thought I resized them enough... oh well.
Had to do some modifications to get them to fit. the flat metal clamps are too narrow to accommodate the larger base of the 88's so they had to come out. Also, since this is my gigging amp, something's gotta hold them in so I ordered a set of kt88 retainers from the tube store. couple of bucks each.
Anyways, here's what all is needed for the other renegade owners that want to try this.
-Drill/screwdriver w/phillips head. If you use a drill use a socket extender
-Jeweler's (or tiny bit) phillips head and flat head screwdrivers.
- Multimeter
- Wire cutters (not sure if you need these for the head version)
- KT88's
I started by unplugging the speakers from the amp and snipping the zip tie holding the wires together for the internal fan and unplug the connector.
Next, I flipped the amp on its face and removed all the screws on the back panel and removed the panel.
there are 4 large screws holding the amp into the combo that I removed. they're deep past the PCB so the socket extender is needed to get to them.
Once the amp is out, I flipped it right side up laying it on top of the back panel that came off.
Out comes the retainers. Tiny screws.
Retainers go in
Tubes are in! (pinch the top of the retainers so when they slip over the tubes they're snug. Time to bias these bitches up.
BEFORE YOU TURN THE AMP ON SET THE BIAS ALL THE WAY COUNTER CLOCK WISE!! Also, bruce recommends turning all the volume knobs all the way down.
the EL34/6L6 bias setting is WAY too hot as it is and turning it on will pump way too much juice to them so backing the bias all the way down will let you safely raise it up.
Use a small jewelers screwdriver to turn each bias knob. As you can see the bias is nice and low.
Your aim is to turn each bias knob till it reaches between 70 and 80v. 75 was my target.
BE CAREFUL WITH TURNING IT!! the knob is EXTREMELY sensitive. you probably will only end up turning it maybe a quarter of a turn at the most. make tiny adjustments, let it settle a few seconds and then adjust as needed.
like this
When you get the other side biased up, and it's settled, go check the other side. Chances are, it's drifted a bit so adjust it as needed. Once both sides are in their bias range, plug in and tear it up!
As bruce and Jeff have noted, with the tube blend knob in the center, the wattage output is at a maximum so that's where the knob is set. What I've noticed is an immediate increase in overall heft of the sound. It's got (as i assumed) a slightly more percussive attack to the sound and when I really cranked the thing, it has a slightly cleaner overall sound. Most notably when the gain is cranked.
Anyways, it wasn't a particularly cheap mod but when trying to extract the absolute maximum amount of clarity when playing at stupid stage volume, they made a noticeable difference without any loss of character or any tone or voice change. The clean headroom the clean channel has is absolutely astonishing... far beyond any volume I'd ever use on stage to put it in perspective.