ratter
New member
Maybe still technically in the honeymoon period, but I rate this box a .
It mainly gets discussed as a cheaper, second-fiddle alternative to the Axe-Fx. I don't really see that as the case. It is less expensive, but I don't feel like the quality is lacking. What it is lacking is flexibility and model selection, which depending on your needs may or may not matter.
It's not an alternative to the Axe-Fx if you need the Axe's flexibility or need particular models that you can only get from it. But if you are looking for a simpler interface, have simpler needs as far as model selection, and if your tastes lean more towards the vintage, the Eleven is a very viable alternative.
It survived my a/b tests between it and my amp, and between it and the software plugs on the market (Revalver, Amplitube 3, etc.)
The tone is there, the feel is there. It gets the nod for feel even over the Axe IMO because of the True-Z input. It's a very powerful feature. It also gets the nod on the interface front. The front panel is much simpler, with dedicated knobs and buttons for all of the controls visible on the screen and individual on/off buttons for all of the "blocks" in a given rig. Hold the on/off button for a particular block and it jumps you to the controls for that block. Very well done. 1 USB cable to the computer gives you audio and midi i/o to the computer, the ability to update firmware, reamping capability, and the pretty graphical interface in PT. If they had allowed the use of that graphical interface in DAWs other than PT, it would be a grand slam home run. As it is, it is only a bases-clearing triple.
What remains to be seen is if they ever update it. Not only is the model selection slim but there is no update on the horizon. Contrast that with the Axe, where you wake up one morning to a cup of coffee and a new Marsha waiting for you. Or Shiva or whatever. That's beyond cool and Digidesign could learn a thing or two from that. Also, their customer service is pretty much non-existent. The price just makes those things a little easier to swallow.
It mainly gets discussed as a cheaper, second-fiddle alternative to the Axe-Fx. I don't really see that as the case. It is less expensive, but I don't feel like the quality is lacking. What it is lacking is flexibility and model selection, which depending on your needs may or may not matter.
It's not an alternative to the Axe-Fx if you need the Axe's flexibility or need particular models that you can only get from it. But if you are looking for a simpler interface, have simpler needs as far as model selection, and if your tastes lean more towards the vintage, the Eleven is a very viable alternative.
It survived my a/b tests between it and my amp, and between it and the software plugs on the market (Revalver, Amplitube 3, etc.)
The tone is there, the feel is there. It gets the nod for feel even over the Axe IMO because of the True-Z input. It's a very powerful feature. It also gets the nod on the interface front. The front panel is much simpler, with dedicated knobs and buttons for all of the controls visible on the screen and individual on/off buttons for all of the "blocks" in a given rig. Hold the on/off button for a particular block and it jumps you to the controls for that block. Very well done. 1 USB cable to the computer gives you audio and midi i/o to the computer, the ability to update firmware, reamping capability, and the pretty graphical interface in PT. If they had allowed the use of that graphical interface in DAWs other than PT, it would be a grand slam home run. As it is, it is only a bases-clearing triple.
What remains to be seen is if they ever update it. Not only is the model selection slim but there is no update on the horizon. Contrast that with the Axe, where you wake up one morning to a cup of coffee and a new Marsha waiting for you. Or Shiva or whatever. That's beyond cool and Digidesign could learn a thing or two from that. Also, their customer service is pretty much non-existent. The price just makes those things a little easier to swallow.