oldmanmetal":2nt0brqp said:
CrowT.Robot76":2nt0brqp said:
Oh yea I would really like to be under $1000
Played EVERYTHING, and they doin't come close. 4500.00 for a Combo...5000.00 with a 4 year wait for the combo.
THE best made, period. THE new Trainwreck/Dumble. ALWAYS going up in value for the real deal. Nothing else compares, not even close.
If I told you I wanted a sporty car and I only had $25k to spend, so I was looking at a used BMW or G35, would your answer be "Those suck. You need to get a Bugatti Veyron! Thats the BEST ever! Those others are garbage in comparison!" ?????
I mean no matter how great a Veyron is, even if its the best car ever made by any one ever in the history of man, its still not gonna change the fact that theres no way I can afford to buy a $1.2 million dollar car for $25k.
Back to the original question - what exactly are you looking for in a clean tone? The 3 kinda "standards" are the JC-120, Blackface Fenders (Twin), and VOX (AC30).
The JC-120 is solid state. It does NOT have that tube warmth at all, really. However it has awesome chorus, the cleans stay clean even if you crank it, and it's just perfect for a bunch of different sounds (its very tight, as you would expect from a SS amp) - you can dial back the treble and get a great jazz sound out of it w/ a hollow body. If you like piling on effects and don't want them to get lost in the warmth and squishiness of a tube amp, then the JC-120 is perfect. Its GREAT for funk. Its great for those old REM (w/ a Rickenbacker) and Smith's and Cure type stuff too. I've had a couple of these, and I still have one.
The Blackface is very warm, and it's pretty soft too, w/o being too soft (as opposed to tight - loose just isn't the right word). Tighter bottom end, softer mids & highs. A very versatile amp too. Think "Little Wing" type tones from a strat. Definitely more organic sounding than the JC-120.
The Vox has (to me) tighter highs and mids than the blackface amps. A little better note definition. In my experience a little harder to find your tone with. I don't know about now, but at least in the past, the VOXes didn't have a great rep for reliability (and that created the market for Matchess). Newer ones might. Think Edge's delay tones (w/o the delay) for the VOX clean sound. Tight mids and highs tend to give it a little more snap too which is why some country guys prefer the Vox-a-likes (Matchess, etc.)
I don't know what kind of music you play, but one of my favs is actually the brownface fenders. They don't get a lot of love (which means the price is right for a vintage), but I love 'em. THe cleans resemble the blackfaces, but not quite as bold, I guess - a little warmer. The amps sit between the tweed and the blackfaces overall, with the cleans leaning heavily towards the blackface cleans. But crank 'em up and MAN! Tweeds just don't have enough balls, and the blackfaces have too much (and a little too harsh too, for me). The brown faces are just perfect. And throw a good, higher gain OD pedal in front of a Brownface, and you start getting into those SLO-100 lead tones (think of what Clapton gets w/ his SLO rather than metal rhythms). Just really nice tones outta this thing. If you've ever seen the movie "Sunset Strip" the scenes where Nick Stahl plays his guitar to an unseen guitarist out in the canyon. Thats the brownface tone, to me (don't know if it was a tween, brown, or twin actually used to record the music though).
In order, from tightest, bell-like chimey cleans to the softest, more rounded and organic cleans you have:
JC-120 - Vox AC 15/30 - Blackface Fender - Brownface Fender