glassjaw7
Well-known member
Anyone try using a kick drum mic for recording heavy guitar sounds? I remember hearing that an Audix D4 or D6 was good for this.
Digital Jams":1m8ethtm said:I am hoping this is not for your soon to be released cd........................
Digital Jams":s4ssmu8w said:I am hoping this is not for your soon to be released cd........................
Chubtone":16531ffn said:I still can't decide whether I should have 50 or 100 copies made.
scottkahn":2nrx3pf3 said:Chubtone":2nrx3pf3 said:I still can't decide whether I should have 50 or 100 copies made.
If you love us that much we'll give you a great discount
scottkahn":1223br5s said:I debated sharing this unknown mic combination, but what the heck... I'm feeling generous today .
If you don't want to spend to pair an SD421 with the SM57 -- which is a great sounding setup, I strongly recommend pairing the SM57 with a Shure Beta 57a, both close-miked on separate speakers in the cab.
I discovered this combination while working on an in-depth review for MusicPlayers.com -- SM57 vs. Beta 57a. You can read that review here, along with audio clips:
http://www.musicplayers.com/reviews/rec ... _Shure.php
I actually tracked all the electric guitars on the Days Before Tomorrow CD, The Sky Is Falling, with this mic combination, sometimes adding a condenser mic from a few feet back in the studio, but 95% of the sound was this direct two-mic combination. This setup's results were blessed by our producer, Ron Nevison (yes, THE Ron Nevison) and our Grammy-winning mix engineer, Earl Cohen. You can hear some of these results at https://www.myspace.com/daysbeforetomorrow . Guitars were mostly a Music Man JP-6 and Ibanez RG customized with DiMarzio Steve's Special and Air Norton, and Mesa/Boogie Road King II amps (among much other gear).
Scott
Chubtone":1784cd30 said:Because of my soundproofing situation of doing this in my house I ONLY have one speaker of my 4x12 cab available for miking. I got a padded gig bag for my cabinet and cut out a hole for just one of the speakers. It works well, but does limit me a little. How would the Beta 57 and regular 57 work on the same speaker?
Thanks
Digital Jams":25l2s6ld said:Hell, I'll check out anyone's cd esp if you have a cool JP Ibanez
RockNRun":23py3lpy said:I've been pretty happy pairing up an sm57 and an e906. I'm no pro, but I do have some of the same gear you have (OP) so I figure I'd post a quick clip, you'll either likey or rule something out I guess, so it may be helpful regardless, lol! I tracked this several weeks ago with the mentioned mics on a single small block 25 in a 2x12 cab. This was a test clip btw, I've since tweaked things just a hair (NEVER tried two mics on a speaker before this).
The chain was guitar (Nez w/super distortion) > OD808 > QR > cab > sm57 (off axis) & e906 (sorta nipple ring) > Profire610 > Cubase 5.
Dual Mic test / Download
Royer R-121 oops.... did not see the budget at first. Nevermind...Chubtone":65y97tnl said:I'm looking to pick up another mic (since I have another channel of mic pre) to put on my cabinet for recording guitars. I was thinking Sennheiser 421 as that was a classic combined with SM57's for years. I see on ebay everyone is touting the vintage 421's as being way better than the current ones. Anyone have experience with the difference between the two eras of Sennheisers?
Is there any other mics I should look at to pair with my SM57? I'm on a budget.... probably $250 at most is all I can allocate to this second mic.
I've tried the e609 and the i5 and preferred my SM57 to them but didn't try combining them. Are either of those a good combo?
And my guitar cab is in a soundproofed, but small walk in closet so I'm talking about something that has to be within 1 foot of the speaker.
Thanks