D-Moll Landed

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steve_k

steve_k

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The D-Moll landed and it is going to be an awesome addition to the fleet. Only had a quick run through the channels but am already digging channels 2 and 3 with the mid cut. Sounds a bit like the Herbie I remember. One thing I noticed right off the bat is how nicely the bottom end tracks with this amp on all 3 channels without getting flubby. Lots of layers and texture to the gain structure. And, it is quiet. Got her on run out in the cave, hooked up to a Mesa 412 Recto just to get the tubes heated and seated while I finish re-wiring my Diezel FL 412 with V30's. Clips in a couple days after I get sorted.

IMG_2125_zpse6f5cfee.jpg
 
I was kinda hoping you didn't like it and it would be up for sale

:lol: :LOL: :lol: :LOL:
 
Cool, loved my Einstein and have been considering this v2.0...
 
steve_k":2ieme7ah said:
moltenmetalburn":2ieme7ah said:
Cool, loved my Einstein and have been considering this v2.0...

D-Moll = When Einy met Herbie

:thumbsup:

That's what I was thinking it was, awesome.

Do you miss Herbert's headroom? Assuming you owned one at one point lol.
 
This is the amp I am most interested in by Diezel ..... seems like a great balance of his previous work.
 
Dmoll sounded killer when I tried it.
Would love to ad one to the diezel collection.
 
moltenmetalburn":2zldkdcg said:
steve_k":2zldkdcg said:
moltenmetalburn":2zldkdcg said:
Cool, loved my Einstein and have been considering this v2.0...

D-Moll = When Einy met Herbie

:thumbsup:

That's what I was thinking it was, awesome.

Do you miss Herbert's headroom? Assuming you owned one at one point lol.

I have had a Herbert and played the VH4 for several years. I fought off the urge to replace one or both for the last year waiting on the D-Moll. Now, I don't see any need. Tomorrow, I will throttle the D-Moll up and peel some plaster off the ceilings and do a head-room check....
 
DH Hell delivered...

Interested to hear what you think of this head at full tilt. Let us know what cab(s) you're running her through too please :thumbsup:

Uncle Mo
 
steve_k":3erc789p said:
moltenmetalburn":3erc789p said:
steve_k":3erc789p said:
moltenmetalburn":3erc789p said:
Cool, loved my Einstein and have been considering this v2.0...

D-Moll = When Einy met Herbie

:thumbsup:

That's what I was thinking it was, awesome.

Do you miss Herbert's headroom? Assuming you owned one at one point lol.

I have had a Herbert and played the VH4 for several years. I fought off the urge to replace one or both for the last year waiting on the D-Moll. Now, I don't see any need. Tomorrow, I will throttle the D-Moll up and peel some plaster off the ceilings and do a head-room check....


Exactly what I wanted to hear. :rock:
 
moltenmetalburn":188kxt9l said:
steve_k":188kxt9l said:
moltenmetalburn":188kxt9l said:
steve_k":188kxt9l said:
moltenmetalburn":188kxt9l said:
Cool, loved my Einstein and have been considering this v2.0...

D-Moll = When Einy met Herbie

:thumbsup:

That's what I was thinking it was, awesome.

Do you miss Herbert's headroom? Assuming you owned one at one point lol.

I have had a Herbert and played the VH4 for several years. I fought off the urge to replace one or both for the last year waiting on the D-Moll. Now, I don't see any need. Tomorrow, I will throttle the D-Moll up and peel some plaster off the ceilings and do a head-room check....


Exactly what I wanted to hear. :rock:

Balls, crunch, crushing and very controllable gain. The overall tone of the channels is really responsive to the amount of gain you set by changing the compression. Also, each channel having its own channel master and overall master, gives one more bit of output control. Being able to control output vs. preamp masters gives it a large pallet of possibilities. Which, is one reason I like the serial loop over the parallel loop in this instance.

Channel 3 and channel 2 seems similar in terms of gain, with 3 having a bit more, but 3 being more open and voiced a bit brighter. Being they share EQ, this is a good thing and makes it quite easy to dial up. Unlike some 2.5 channel amps that cannot seem to strike a good balance.

This amp has the Herbert MKII trannies in it and is just explosive.

Running it with a 412 Mesa Recto cab and V30's. Will give my Diezel front load a go today. But, I am thinking that is going to tighten it up a little too much. The amp is tight enough on its own. It is most definitely a V30 voiced amp though.
 
steve_k":2s5dp4fu said:
Balls, crunch, crushing and very controllable gain.

I would expect nothing less from a Diezel. Another great amp from Peter.
 
Yeah man........thats the stuff!! :rock:
Having owned both the VH4 and the Herbie.....(loved them both)
but a nice mix of both sounds AWESOME!!! :thumbsup:
The Hagen.....Not sure...but didnt seem appealing.... :aww:
Again like any amp.......I need to rock thru it in person!! ;)
But before I go Hagen....D-Moll will be hitting home 1st!! :D
 
Mailman1971":yqrhgbov said:
Yeah man........thats the stuff!! :rock:
Having owned both the VH4 and the Herbie.....(loved them both)
but a nice mix of both sounds AWESOME!!! :thumbsup:
The Hagen.....Not sure...but didnt seem appealing.... :aww:
Again like any amp.......I need to rock thru it in person!! ;)
But before I go Hagen....D-Moll will be hitting home 1st!! :D

Home alone today....... :uzi: :uzi: :uzi:

Gonna let it fly and spit out some decibels.
 
steve_k":q9h819l7 said:
moltenmetalburn":q9h819l7 said:
steve_k":q9h819l7 said:
moltenmetalburn":q9h819l7 said:
steve_k":q9h819l7 said:
moltenmetalburn":q9h819l7 said:
Cool, loved my Einstein and have been considering this v2.0...

D-Moll = When Einy met Herbie

:thumbsup:

That's what I was thinking it was, awesome.

Do you miss Herbert's headroom? Assuming you owned one at one point lol.

I have had a Herbert and played the VH4 for several years. I fought off the urge to replace one or both for the last year waiting on the D-Moll. Now, I don't see any need. Tomorrow, I will throttle the D-Moll up and peel some plaster off the ceilings and do a head-room check....


Exactly what I wanted to hear. :rock:

Balls, crunch, crushing and very controllable gain. The overall tone of the channels is really responsive to the amount of gain you set by changing the compression. Also, each channel having its own channel master and overall master, gives one more bit of output control. Being able to control output vs. preamp masters gives it a large pallet of possibilities. Which, is one reason I like the serial loop over the parallel loop in this instance.

Channel 3 and channel 2 seems similar in terms of gain, with 3 having a bit more, but 3 being more open and voiced a bit brighter. Being they share EQ, this is a good thing and makes it quite easy to dial up. Unlike some 2.5 channel amps that cannot seem to strike a good balance.

This amp has the Herbert MKII trannies in it and is just explosive.

Running it with a 412 Mesa Recto cab and V30's. Will give my Diezel front load a go today. But, I am thinking that is going to tighten it up a little too much. The amp is tight enough on its own. It is most definitely a V30 voiced amp though.
:rock: :rock: Peter is a genius..
 
Shhhhhh..... :lol: :LOL:

Don't tell Peter. I done snatched these 77's out and replaced them with SED Winged C - 34's and rebiased........ :D

Going out to seek and destroy some small animals :rock:
 
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