DanTravis62
Well-known member
Sounds good, but I've heard a savage with a TS before lol, I was just curious about a dod250 into one getting a Larry tone, as you said
Sounds good, but I've heard a savage with a TS before lol, I was just curious about a dod250 into one getting a Larry tone, as you said
@DanTravis62Sounds good, but I've heard a savage with a TS before lol, I was just curious about a dod250 into one getting a Larry tone, as you said
@DanTravis62
I just recorded a part with the DOD 250. Starts with the DOD off.
https://streamable.com/1oz9o9
Lemme know what you think!
In terms of Larry tone, please note I said I think this gets me in the Larry ballpark, not a 100% replication. That raw, dryness, without the strange midhump squishiness, that typically comes with a TS-like boost, and without any bloatyness in the lows.
Sounds great man, great playing, too! It's always cool finding other dudes who are into classic/power metal, I feel like we would be friends IRL every time haha. As far as trying to get a Larry-like tone with another amp, you are 100% right about the "magic" of the Larry, at least in me experience. It's literally as tight as it could be and remain musical, and as "open" as it's possible to be, and it's a very hard thing to simulate on any other amp.@DanTravis62 thanks man!
I did another; starts out with the same Primal Fear riff, but phone was now oriented side-ways (i'm sort of mcgyvering it between a cushion and an edge of a chair to keep it up right)
https://streamable.com/b8ot5j
I see what you mean about the low-end being more Engl-like. It's a bit more compressed and saturated, where the Larry's seem to be showing their true magic; to remain open and defined, even under very high gain.
There was still room to tweak though, EQ-wise, since I had the Depth boost on, and because I'm playing through a 2x12 at moderate room levels, I typically run the bass between 1 o' clock and 3 'o clock, as the Savage 60 is not too thick sounding by itself and quite middy (hence the mids being at 9 'o clock).
Regarding Engl's in general, while I own 3 of them, I did sell the SE EL34 and I never cared for the Powerball, Fireball or Thunder and Screamer. If they're there in a rehearsal room, fine, but somewhere between how the Artist, the Savage and the Invader sound, is where I like it best. The Invader has some of the best cleans in a high gain multichannel head and while Channel 3 is thunderous in its own right, it's definitely more polished than the Savage, which may not always be a good thing. CH4 I found too wooly, saturated.
Those Joyo Ultimate drives can be noisy as f*ck..I went through 3 of them..they do sound good though.OD1X and 80s SD1. I’ve had Airis, VFE, Thorpy, Furman, Wiz Leopard, TC 1140...all killer but didn’t kick the OD or SD off the board. Funny side note..I tried all of those others with my 72 SuperTrem and it just didn’t gel well...but it loved my 30$ cheap ass Joyo Ultimate Drive that’s been in my gig bag unused for 8 years. Haha
Mine is pretty quiet; I keep everything just under noon at most. This one is from way back in 08-09 if I remember correctlyThose Joyo Ultimate drives can be noisy as f*ck..I went through 3 of them..they do sound good though.
Whatever that means lol. Strymon pedals sound amazing to meFrom what I remember the Strymon Sunset was versatile and covered a lot of ground, but like their other pedals, it’s inherent tone was too inorganic, somewhat processed sounding for my taste
Yeah it's a OCD clone. It has the same nasally(to my ears) tone. I don't like either pedalIsn't the Joyo Ultimate Drive a clone of the Fulltone OCD ?
It's more a distortion pedal than a OD or boost. But can be used as one. They don't cut lows and highs like a Tube Screamer.
Check out the spider from top-left going towards bottom-center starting at about 0:32. As you might expect from my screen name, I have a keen eye for these things.@DanTravis62 thanks man!
I did another; starts out with the same Primal Fear riff, but phone was now oriented side-ways (i'm sort of mcgyvering it between a cushion and an edge of a chair to keep it up right)
https://streamable.com/b8ot5j
I see what you mean about the low-end being more Engl-like. It's a bit more compressed and saturated, where the Larry's seem to be showing their true magic; to remain open and defined, even under very high gain.
There was still room to tweak though, EQ-wise, since I had the Depth boost on, and because I'm playing through a 2x12 at moderate room levels, I typically run the bass between 1 o' clock and 3 'o clock, as the Savage 60 is not too thick sounding by itself and quite middy (hence the mids being at 9 'o clock).
Regarding Engl's in general, while I own 3 of them, I did sell the SE EL34 and I never cared for the Powerball, Fireball or Thunder and Screamer. If they're there in a rehearsal room, fine, but somewhere between how the Artist, the Savage and the Invader sound, is where I like it best. The Invader has some of the best cleans in a high gain multichannel head and while Channel 3 is thunderous in its own right, it's definitely more polished than the Savage, which may not always be a good thing. CH4 I found too wooly, saturated.