Most beautiful headstock

Most beautiful guitar headstock

  • JAMES TYLER

    Votes: 4 36.4%
  • JAMES TYLER

    Votes: 0 0.0%
  • JAMES TYLER

    Votes: 0 0.0%
  • JAMES TYLER

    Votes: 1 9.1%
  • JAMES TYLER

    Votes: 1 9.1%
  • JAMES TYLER

    Votes: 0 0.0%
  • JAMES TYLER

    Votes: 0 0.0%
  • JAMES TYLER

    Votes: 0 0.0%
  • JAMES TYLER

    Votes: 0 0.0%
  • Other (JAMES TYLER)

    Votes: 5 45.5%

  • Total voters
    11
I could never understand people spending thousands on a bolt on Strat style guitar. Any of them…including strats. But that’s just me and wtf do I know? Everyone says they are killer guitars though…but damn they’re fugly..sorry Von..my tastes are not as refined as yours bro…
 
I could never understand people spending thousands on a bolt on Strat style guitar. Any of them…including strats. But that’s just me and wtf do I know? Everyone says they are killer guitars though…but damn they’re fugly..sorry Von..my tastes are not as refined as yours bro…
It's like when you think your neighbor's go kart is butt ugly then he lets you take it for a ride and he's got a tricked out Predator back there. All of a sudden you want to be the guy riding the dork bus. Plus, as a former corrections officer you should realize that the JAMES TYLER headstock is robust enough to allow you to handle correctional institution business and then casually get back to playing guitar without having to retune your instrument. The schmear paint will also allow you to distract and confuse your emenies.
 
I get that this is a meme thread but the real answer, as much fun as it is to hate the company and as bad for tuning stability as the nut can make it… is the Gibson Custom headstock.

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I will attach a pic of the guitar I had with the most aesthetically pleasing headstock. The lines are both sophisticated and elegant, yet cutting edge and timeless. The designer refrained from gaudiness and stuck to cultivating a harmonious relationship between instrument and functionality. Another thing most miss when looking at this is that the headstock shape is also designed with weight distribution in mind, not only is it exquisite, yet subdued, it also helps the player shred more effortlessly. I know that when I pick up one of these guitars, that my playing, on average, is anywhere from 17% to 26% faster, more accurate, much more powerful, and it also opens up a whole new world within my mind. So, the headstock is not only pleasing to look at, it allows more, “flow,” as well as precision, attack, mental agility, gracefulness, and the ever present haunting mids as the design contributes to the majestic and glorious tones derived specifically from the headstock. If you have played one, you know what I am saying. As of now, I sadly do not have one in my guitarsenal. It is sorely missed and my playing suffers without one.
 

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I will attach a pic of the guitar I had with the most aesthetically pleasing headstock. The lines are both sophisticated and elegant, yet cutting edge and timeless. The designer refrained from gaudiness and stuck to cultivating a harmonious relationship between instrument and functionality. Another thing most miss when looking at this is that the headstock shape is also designed with weight distribution in mind, not only is it exquisite, yet subdued, it also helps the player shred more effortlessly. I know that when I pick up one of these guitars, that my playing, on average, is anywhere from 17% to 26% faster, more accurate, much more powerful, and it also opens up a whole new world within my mind. So, the headstock is not only pleasing to look at, it allows more, “flow,” as well as precision, attack, mental agility, gracefulness, and the ever present haunting mids as the design contributes to the majestic and glorious tones derived specifically from the headstock. If you have played one, you know what I am saying. As of now, I sadly do not have one in my guitarsenal. It is sorely missed and my playing suffers without one.
That pickguard is super ugly too
 
I will attach a pic of the guitar I had with the most aesthetically pleasing headstock. The lines are both sophisticated and elegant, yet cutting edge and timeless. The designer refrained from gaudiness and stuck to cultivating a harmonious relationship between instrument and functionality. Another thing most miss when looking at this is that the headstock shape is also designed with weight distribution in mind, not only is it exquisite, yet subdued, it also helps the player shred more effortlessly. I know that when I pick up one of these guitars, that my playing, on average, is anywhere from 17% to 26% faster, more accurate, much more powerful, and it also opens up a whole new world within my mind. So, the headstock is not only pleasing to look at, it allows more, “flow,” as well as precision, attack, mental agility, gracefulness, and the ever present haunting mids as the design contributes to the majestic and glorious tones derived specifically from the headstock. If you have played one, you know what I am saying. As of now, I sadly do not have one in my guitarsenal. It is sorely missed and my playing suffers without one.
My friend, these are the words of a soulful poet. May many JAMES TYLER guitars be in your near future.
 
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