R
Racerxrated
Well-known member
If you use a Variac you have to watch your tube Bias...changing the voltage will affect this and you should re-bias the amp. An attenuator doesn't change the bias.What really is the difference?
If you use a Variac you have to watch your tube Bias...changing the voltage will affect this and you should re-bias the amp. An attenuator doesn't change the bias.What really is the difference?
Well my amp only has one tubeIf you use a Variac you have to watch your tube Bias...changing the voltage will affect this and you should re-bias the amp. An attenuator doesn't change the bias.
I've had 3 customs, 3 originals(you have one of them) and my 2 USAs from 08/09 outplay any of them. Granted, I went through about 20 of the USAs and 5 MiJs to find these lol. The one advantage the originals have is the tone...all of them have had fantastic complex rich tone that rivals any LP or other custom shop (Suhr, TA) that I've ever played. The 2 USAs I have do have good but not great tone. But playability is #1 for me. The customs also had good tone, but not better than the 2 I have now. There are some gems in that 08/09 line.For the longest time I had only tried MIJ, MIM and non-custom USA Charvel’s. Tried lots of them, was unimpressed and never got the hype as to why Charvel is so popular until I got a Custom Shop one and now I have 5 Charvel’s (2 recent Custom Shops and 3 vintage San Dimas’s). Mine all sound and play great. My 2019 Custom Shop Sassafras I think is my best playing and sounding of the bunch. That being said my very best playing guitars I have are my Ronin, 2 Novo’s, and ESP Custom Shop Korina V. The Ronin is probably the 2nd best guitar I’ve ever had behind my ‘57 Les Paul Jr and hands down the best non-vintage guitar I’ve played
For me Tone is everything and playability is a nice bonus. I have yet to try a single Suhr or Anderson that had great tone to my ears be it plugged in or unplugged. I agree, my ‘80’s Charvel’s have a tone that’s as good or better than most Les Paul’s I’ve tried except for of course the ‘50’s and ‘60’s ones. Playability wise though my Ronin is hands down the #1 for me. If you had asked me maybe 2 months ago before I got that, my Novo’s and ESP Custom V, I would’ve said Charvel is still king there. Still love my Charvel’s though and for sure will keep 2 or 3, but don’t need them all. Gotta decide now which ones. Ronin’s can be a bit ugly looking, but I don’t careI've had 3 customs, 3 originals(you have one of them) and my 2 USAs from 08/09 outplay any of them. Granted, I went through about 20 of the USAs and 5 MiJs to find these lol. The one advantage the originals have is the tone...all of them have had fantastic complex rich tone that rivals any LP or other custom shop (Suhr, TA) that I've ever played. The 2 USAs I have do have good but not great tone. But playability is #1 for me. The customs also had good tone, but not better than the 2 I have now. There are some gems in that 08/09 line.
Haha that how I feel about those high end PRS’s. They certainly look beautiful at least“I hate everything about this guitar except the way it looks, let me keep throwing money at it”
Is not a solid plan. If I were you, I would do a parts build and get a neck shape you actually like.
I’m surprised they messed with the best part of any Charvel-the neck. The 2013 MiM I played had the right neck feel but it sounded terrible and maybe weighed 5 lbs...like a cheap imitation. Weight isn’t everything but most of my heavier guitars sound killer. The two USAs I have now play so well, and sound so good I don’t think I’d let them go for 2K each. They are better than any of the 3 customs I’ve owned.I am in the same camp as feeling that the MIM Charvels are terrible. Charvel puzzles me. I had many of the USA Pro Mods and thought they were incredible guitars for the money. I think I had 8-9 of them. I am now kicking myself for selling them as they are super hard to find and people are asking like 1800 for them now. Those necks were great and they sounded good too. They were great modding platforms as well. I assume that Charvel moved production to Japan and then Mexico due to costs / profits etc. I am not sure why they could not keep the parameters the same and the quality the same. It is not like they were difficult guitars to manufacture. I hate the MIM strat head necks. Big and blocky and do not feel at all like the USA Pro Mods. I did not like the Japanese ones either. I had a DK model a year or so ago and it was ok but I got rid of it. I just do not understand why if they had a good thing going - why ruin it? Maybe they sell more guitars now. I dunno