Dan Gleesak
Well-known member
I believe every SG deserves a nice set of T-tops. (Assuming yours has tarbacks)
David Allen Powerage set is my favorite so far
David Allen Powerage set is my favorite so far
He took the middle pickup from the switch and changed one of the tone pots to a volume. So it becomes three volumes and a master tone. Now the middle pickup can be blended in with either the neck or middle or run all three or just one etc…with the bridge on 8-9-10 range and middle on 7 is my go to with it.How was Glen Buxton's guitar wired?
If you really dig the way it plays, feels and looks then I'd start simple, try and fix the tone first with pickups. If that works tackle everything else which would probably be a little more invasive with new nut, tuners, maybe even a new bridge etc... for the tuning.I recently bought a 1973 Gibson SG Custom.
The guitar plays nicely with a really outstanding neck. I just can't bond with the tone and the fact it won't stay in tune at all. That's probably why after 51 years it's in near new condition.
My choices are, leave it in the case and look at it every once in a while. Keep trying to find the right something, a pedal or amp, that works with the guitar. So far, everything I've tried, pedals, amps, string height and gauge, haven't done much to changed the overall thin tone. I hear the tone in some songs because it's a tone I hate. Or, put some new pick ups in and install a roller bridge.
What would you do and why?
Then don’t sell to collectors and sell to someone else. Collectors ruin guitars. They know nothing of regular maintenance, the woods dry out and crack, necks aren’t adjusted, strings and nickel allowed to tarnish and rust, the cases are all falling apart, overdue for a refret so badly that strings have carved wood out of the fretboard, and all of that is somehow supposed to increase value? FUCK that mess. I’ll sell a fully restored vintage at market value because now the window of demand is so much higher and the quality of the instrument has been properly maintained before actual legitimate irreparable damage is done.I would definitely sell it in stock form for max $$$ to someone who wants a stock vintage Gibson. Then take half of that money and buy something built better that stays in tune with tone for days and plays like a motherfucker, and that you can actually bond with.
I've learned the hard way to just go directly for what you want in a guitar or amp instead of trying to change the guitar's nature. Once you start modding and tweaking it's hard to stop. And then you just have an expensive frankenstein that's lost it's value because collectors want ALL ORIGINAL guitars.
73 was actually a great time period for Norlin era. They’d just purchased and hadn’t had time to implement total cluster fuck shit quality practices yet.It's strange to me that this is even a conversation about a norlin guitar.
Oh, well I figured they had by that point given the rest of the SG line . I guess whether or not there was still a decent quality average, I swear this guitar was maxing out around $1k a few years ago. That's mostly what I meant. To me it's insane to see the prices and a lot of people are going to be left "holding the bag" in the near future if they bought these as investments, imo. But like I also said; smoke them if you've got them.73 was actually a great time period for Norlin era. They’d just purchased and hadn’t had time to implement total cluster fuck shit quality practices yet.
Decent by Norlin standards is still low. In one of my 76’s I found oem solid core guitar string used as ground wires for the oem pots. They cut corners to save money and time like you wouldn’t believe. It’s why I believe if there’s any era of guitars that actually increase value being gone through, it’s Norlin era guitars.Oh, well I figured they had by that point given the rest of the SG line . I guess whether or not there was still a decent quality average, I swear this guitar was maxing out around $1k a few years ago. That's mostly what I meant. To me it's insane to see the prices and a lot of people are going to be left "holding the bag" in the near future if they bought these as investments, imo. But like I also said; smoke them if you've got them.
I have a feeling that you are right about that. I bought the guitar because I thought it was really cool. And, it was all original, early Norlin. I won’t take a bath selling it and if I need to play some songs that are not rock, it’s a great choice.I would definitely sell it in stock form for max $$$ to someone who wants a stock vintage Gibson. Then take half of that money and buy something built better that stays in tune with tone for days and plays like a motherfucker, and that you can actually bond with.
I've learned the hard way to just go directly for what you want in a guitar or amp instead of trying to change the guitar's nature. Once you start modding and tweaking it's hard to stop. And then you just have an expensive frankenstein that's lost its value because collectors want ALL ORIGINAL guitars.
Hype it up like crazy on Ebay and rave on about how clear and unmuddy it sounds. Then sit back and watch Angus and Iommi get in a bidding war over it. You make a nice profit, give me some commission for the idea and we all win!