The Stone Tone Emporium Post your photos here

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The one and only original Floyd Rose, Often imitated but never duplicated.
 
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Custom Blocks for George Lynchs Mr Scary Guitars. This one is on the tiger carve, George made 2 identicals for Namm comparisons.
 
I can't find those red fine tuners on your site.
 
PLX said:
I can't find those red fine tuners on your site.
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The Red fine Tuners are not sold separately. That could be subject to change, Floyd Rose is so busy that sometimes they have stock of a listed item that says "SOLD" on their website isn't always the case, best to call FR to confirm or get on the list to be notified when that item arrives.
 
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2006 Namm Show down in Hall E where all the freaks and eccentrics reside in the Dungeon of Delights.. This was pre Floyd Rose.
 
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Bryce Vanhoosen Stone Tone Artist and guitarist of Silver Talon. Bryce has 8 blocks on all of his Floyd Rose bridges.
 
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We would like to introduce Michael J Felder to the Stone Tone team.

"Get stoned with tone! If you're a tone junkie like me then you need to equip your guitar with Stone Tone TONE BLOCKS"! -Michael J. Felder
 
Stone Tone Artist Lloyd Wallace since 2016 has all his Signature Viper guitars come with Stone Tone sustain blocks, this is his personal axe the LW-1 which has one of the Jeff Loomis Signature blocks installed.
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Prototype String-Thru Sustain Block for the Floyd Rose Rail Tail. These will not be main stream yet can be ordered directly from Stone Tone.
The stock sustain block weighs 7.4 ounces compared to the Stone tone block that's 3.2 ounces. The performance is over the top on every level since there is much more pressure and vibration from the ball end of the string going thru the block vertically and the springs pulling horizontally.
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Upgrade for your 1000 series 7-String or Special 7-string Bridges. I have these Blocks. Pm for details.
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1500 series 7 string FR bridge with the wider holes on the base plate for Vincent Caruana's Jackson Pro soloist Loomis SL7.
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All 10 for one customer.. after the first install he had to do the rest of his guitars. :2thumbsup:
 
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This leveling method I do on every bridge is paramount for contact and performance. Some worse than others yet the holes on the base plate are punched not drilled so there is a element of protrusion that will keep your sustain block elevated from mounting flush no matter the material. Usually it's 64th to a 32nd away from direct contact with the baseplate so this is necessary if you want optimum performance.. Every little thing helps..
 
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