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djd100
Member
Regarding Strat pup balancing, one method is to add a bridge pup tone control if you don't have one, set the rig up for the neck pup, then roll off some highs on the bridge pup to suit.
Another strategy is to use different settings or different stomp boxes with the different pups (or one set differently via presets etc), possibly along with the above bridge pup tone control as well.
Another option is to wire the guitar's volume control in what's commonly known as 50's style (as many/most Gibson guitars in the 1950's came wired this way), which is just hanging the guitar's tone pots off ot the volume pot's wiper instead it's input. This allows many more toanal options including increased high-end retention as the volume control is lowered without a treble-bleed setup, so in this scenario you could run the neck pup with the volume backed off slightly to make it brighter (the neck pup is often a bit louder than the others which lets this work well in many cases).
Good luck...
Another strategy is to use different settings or different stomp boxes with the different pups (or one set differently via presets etc), possibly along with the above bridge pup tone control as well.
Another option is to wire the guitar's volume control in what's commonly known as 50's style (as many/most Gibson guitars in the 1950's came wired this way), which is just hanging the guitar's tone pots off ot the volume pot's wiper instead it's input. This allows many more toanal options including increased high-end retention as the volume control is lowered without a treble-bleed setup, so in this scenario you could run the neck pup with the volume backed off slightly to make it brighter (the neck pup is often a bit louder than the others which lets this work well in many cases).
Good luck...