Why do people refer to D flat tuning as C sharp?

  • Thread starter Thread starter EXPcustom
  • Start date Start date
Dallas nailed the theory behind it. But I'm thinking that most guitarists that use these kinds of tunings don't really know the difference and probably play mostly by ear. (myself included, although I have musical training.) I like to forget some of my theory because it's more inspiring that way. ;)
 
shadowfax29":wvo0tt0f said:
The only other idea I have to add is every tuner I've ever recalled seeing if you try tuning to C#/Db, the tuner will register it as C#
This is likely the real reason right here. Average tuners recognize everything as natural note and sharps, not flats.

I used to play in C# standard. Then I realized I didn't have enough strings.
 
155":1tsfzgza said:
good question , I dont think there is an right answer other then because , I call it c#


Same here, most non-theory players in Norway call it Ciss.
 
EXPcustom":188zdkei said:
You dont call E flat tuning D sharp because you are coming down from E.

So why do people today call D flat tuning C sharp? I figure you are coming down from E so you would call it D flat? :confused:

I hope I am not missing something and come off as a dumbass? :lol: :LOL:


It is because you are tuning down a half step, whole step or 1 1/2 steps. Down infers flat...

But, C# sounds more cool. So, from now on in Rig Talk, we will refer to it as C#. And, our keyboards have the # thingy, nothing for the flat thing. :rock:

Steve
 
Was about to rage so hard on peoples demand for standards of tuning. Like guitar is written out in classical orchestral style (it can be, but often: NOT).
Why is EADGBE called E standard? Just cuz a bunch of other fuckers did? What is standard about it? because you cant adjust your guitar to another standard? Or because ancient Greeks or whoever called it standard? I call it Panzerwannafuda tuning. Typically, wussies with overly tight jeans use that tuning.
And then that dropped down 3 1/2 steps I call Behemotheateththineliver tuning. I am right because I am right and all your tunings are subject to me. Including those messed up ones that EVH uses. I call those weird.

I think that as long as your fellow musicians/crowd/critics understands basically whats going on, either through diagrams, discourse, or just sound, it usually works out. Whether it is called Db or C# tuning. Not too many standards concerning the matter. And then what? Calling it C# Standard is a mistake? for it isnt a standard, and just being related back to the Panzerwanafuda tuning. But people call it that, and I cant blame em. AT ALL

And then of course, this argument can be extended to all music theory. Just look at the world, its full of different people, with different musical styles (and tunings). Getting caught up about two identical things: NO GOOD. ooooo its early, and over opinionated. Guess Ive recently hung out with some terrific musicians who have fucked up tunings, but they get the job done, and they do it well. The amount of criticism from other students they get is undeserved. It is vital to be accommodating if your playing with someone else though. No doubt about it. I get in more fights over tunings than anything else.
 
Because of the tuners. They are all in sharps. I've never refered to any tuning as flat. Always sharps.
When speaking about tunings, I also tend to use words not flats or sharps.

D# - "That song is a half step down"

or

Drop C - "Let's tune to drop D then a whole step down."
 
I do because it's what I'm used to. I also call Drop Bb drop A# most of the time.

Also remember guys that Drop C is the 'standard' for a lot of modern metal, almost everyone my age plays in drop C so I came from there really.
 
EXPcustom":13paqo36 said:
You dont call E flat tuning D sharp because you are coming down from E.

So why do people today call D flat tuning C sharp? I figure you are coming down from E so you would call it D flat? :confused:

I hope I am not missing something and come off as a dumbass? :lol: :LOL:

I just prefer saying C#.


"C C# D Eb E F F# G G# A Bb B C" sounds cool to me.

"C Db D D# E F Gb G Ab A A# B C" just sounds yuck to me.
 
Back
Top