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Thanks for this info brother!

Dude, I would love to see how you build that box.

I see a lot of power supplies out for pedals promising isolated power. However, with a lot of the pedals I own I have individual wall warts for any way. Do you guys feel strongly that a pedal power supply from one of these makers is strictly better than a simple surge protector?

I actually picked up a line 6 m9 fit this exact reason. Having 3 delays that I can perfectly sync tempo to and manipulate parameters simultaneously in real time with one expression controller is so useful on stage and opens a lot of doors musically

Are you making the ditto, or are you saying the flashback has a looper in it? That would be nuts!

Who's top dog in your book of the plectrum world?

I'm looking at getting a compact looper on my board. I have heard good things about the Boss RC-3, but I'm wondering if it really lives up to the hype. Also, is there another favorite out there?

I have an eBow now that I got for a steal. While I have found some cool uses for it, I fell as though there is plenty of potential that I'm just not unlocking. Does anyone have any tricks they'd care to share?

That's the funniest thing I've read on this forum do far. :lol: :LOL:

I saw a video of John Gomm playing passion flower on YouTube, and it blew my mind. I'm wondering if you guys have any tips or know of a resource to learn these types of percussion techniques to be used simultaneously while playing melodic lines.

I'm a fan of fuzz, phaser, and filters myself. What do you find yourself using?

I'll second this.

Kenny Wayne shepherd is the reason I started taking fuzz and modulation effects seriously.

Also, as I understand it, the Palmer units would do the trick, but the torpedo live has a much wider range of features, and has the ability to save multiple cabinet and micing presets to be recalled on the fly.

The world of two notes is going to be your friend man. The torpedo live is designed exactly for this.

Hahaha now that's embarrassing. I'll have to dig that old box out again. Thank you!

I find that I tend to use the neck pickup, or some middle position mostly. All single Strats, SGs with coil splitting humbuckers, teles, minibuckers, pretty much all of them don't get much bridge pickup love from me. Wondering what you use.

Heard an RV-5 the other day, and I fell in love again. But, do I get it, the Big Sky, the Trinity, the Supernatural, the Wet, or some mystery mod-verb? Really, just curious to see what your favorite is.

I'm looking at picking up an ethos clean when it comes out. I don't really go for the "always on" compressor ideas, but I think for certain ballad type songs where I need to ring out chords for the verses one could be useful. For those who use the clean channel of the ethos, do you find that the...

I've had a Gerlitz Revelator, which had a stereo FX Loop and the ability to drive two cabinets in true stereo. It was my first real experience with FX loops, and I loved what I could do with it. Since then, I've only found Diezel Amps that can do this, and I'm wondering why more companies don't...