MontiCristo
Well-known member
you know man, i have never gotten along with analog delays, but have always ran them in the FX Loop. perhaps i should try in front.
Janky
Active member
Historically, in the loop. But I've been running mine in a wet/dry setup lately with a line out going into the normal channel of a DRRI...
stephen sawall
Well-known member
I put the BOSS DM-101 in the loop of the Fryette Sig X last night. After months of it being in front of several different amps.
The range you can use of delay parameters is much more limited with the delay into high gain amp distortion. But analog delay into tube saturation can sound great. Power amp saturation would be my preference because it is more dynamic. Preamp for the more compressed stuff. In the loop delay the entire range of the parameters are usable.
The range you can use of delay parameters is much more limited with the delay into high gain amp distortion. But analog delay into tube saturation can sound great. Power amp saturation would be my preference because it is more dynamic. Preamp for the more compressed stuff. In the loop delay the entire range of the parameters are usable.
rstites
Well-known member
For high gain or anywhere I might use high gain, it's either in the loop or at the board post mic. When I've played into clean amps, a nice delay pedal out front works great, and is easier to manage.
I do a lot of delay or ambiance, but have thought about trying to do more of it as something new to explore. Most gain delay for me is just to thicken up leads or a ducked on leads, and gone for everything else.
I do a lot of delay or ambiance, but have thought about trying to do more of it as something new to explore. Most gain delay for me is just to thicken up leads or a ducked on leads, and gone for everything else.