A
aftec
Active member
Lution":wwfd6lje said:aftec":wwfd6lje said:The 3 separate presences are the most powerful tone shapers on this box. With low volume levels it can sound kinda dark and the with the mids turned up, it's getting honky, set all tone controls to noon, try to raise the presence until it's getting annoying and tad back a little, then start to play with the tonestack. As soon as you start adding volume the dark tonality disappears and the presence needs to be dialed back. For brute sounds Channel red with some middle removed, presence up, and you have the good old 5150 sound with the signature fizz.
I usually use the blue channel and using the volume on the guitar to shape the tone.
aftec, care to comment more on what those jj ecc832 pre tubes do for channel 3? How do they respond with respect to the compression on ch 3? Do they help lessen it at all?
Sure. I have to state that I don't do metal (in it's current form. no Drop A tunings and djent) so if you are into modern metal or probably you would like to stay with the original. Currently I have 1 ECC832 in V5. In the original setup, there is no reason to turn the gain above noon, because nothing audible happens after that. I always felt, that ch3 is over compressed and kinda stiff. This is by design, due ch3 tubes are almost acting like a multi stage compressor. Boosting the signal then dropping most of it to ground, cascade to next stage.
Started playing around with ECC82s but it killed the overall response and took too much gain away. Then I found the 832. It's a different thing, it does tames the gain in a moderate way, and lets the amp breathe a little more. Basically there is a reason now to turn the gain above 12, if you want the original gainzilla sound you can get it at full tilt.
If you put in more of these you can lower the gain and compression even further. I usually use Ch3 for leads, so a bit of compression and a healthy amount of gain is good, but I wanted a little more dynamics and less stiff feel. Now I'm happy.