I would venture to say the Suhr is engineered much better and it is transformer isolated and has a ground lift. I've been using mine for years and they work great with absolutely no issues if you want to do W/D/W right $180 dollars is money well spent IMHO.Thats WAY cheaper than the Suhr ISO.
UNLESS the build/noise floor is better,then I see no reason the spend $180 vs $65
If you want simple then you're barking up the wrong tree with W/D/W. One is a lot simpler than three.
I think the reason you're getting tripped up is because you're using the EVH pedal. The EVH pedal is designed for W/D/W, but it's designed for W/D/W with EVH amps, which are themselves designed for W/D/W. It functions as a three-way splitter, which is great, but unless you're using an EVH amp for your dry (or another amp with the same loop/master placement) you'll need to do some problem solving and likely need additional gear as well.
So there are two basic options on how to use the pedal with W/D/W.
1) The way Boss/EVH intended: Use an EVH head (or, again, another head configured the same way) for your dry signal, put the pedal in the loop and send the left and right outputs to the loop returns of three different amps.
2) The way Eddie did it: Line tap (with either your head's line out or a separate box), with the line-level signal going into the pedal, then out from the pedal into a stereo power amp.
Option #1 requires three heads and the EVH pedal. Presence and resonance controls can be used to shape the final sound, and you can mix different heads for different tonal effects, but the delays will be colored by the power amp distortion.
Option #2 requires only one head and the standard version of the pedal, but also needs a stereo power amp (or two mono power amps) and a line-tap if your dry amp doesn't have a line-out built in. The delays aren't colored by the power amp distortion.
If you're doing Option #1 with mismatched heads, that's where volume controls (like the JHS) get involved.
It's just a great pedal. I just love having a pedal with that much horsepower without it having a dozen other algorithms getting in the way. The controls are straightforward and even the stock presets are super usable. I only have the base version so no EVH presets but his settings are all online anyway (and sound really good, obviously).I'll be honest, I don't even care about WDW with the EVH 3000SDE pedal. I'm using it in stereo and sounds glorious. It sounds as phenomenal with my Orange solid state combos as my 5150-III heads (when I had two). I don't know how someone would not like this pedal. It is inspiring to play thru.
Can you explain the potential for phase issues more? I'm using it in stereo with two amps and haven't noticed phase issues but maybe it is there. Do I have to do anything special with my setup?Dry amp - cab
Line out box between the two-line out to delay input(set it at killdry or 100%wet or you will have phase issues) one output to one wet amp(return) one to the other wet amp(return).
Welcome to the rabbit hole...
I could be wrong but since you are bypassing the preamps of the wet amps and going straight to loop returns that you shouldn't have phase issues.Can you explain the potential for phase issues more? I'm using it in stereo with two amps and haven't noticed phase issues but maybe it is there. Do I have to do anything special with my setup?
I could be wrong but since you are bypassing the preamps of the wet amps and going straight to loop returns that you shouldn't have phase issues.
Can you explain the potential for phase issues more? I'm using it in stereo with two amps and haven't noticed phase issues but maybe it is there. Do I have to do anything special with my setup?
I have two Orange Super Crush 100 combos. I have send and return of one effects loop connected to the BOSS EVH pedal. The second amp is just return into the pedal.Don't know the setup mate...
Thats WAY cheaper than the Suhr ISO.
UNLESS the build/noise floor is better,then I see no reason the spend $180 vs $65
I have two Orange Super Crush 100 combos. I have send and return of one effects loop connected to the BOSS EVH pedal. The second amp is just return into the pedal.
What Mr. Blackie13 said..............WDW is amazing and easy to do...
You just need a line out box...between amp&cab...
A Bray(works amazing), a Suhr Line out box, a THD attenuator.
Dont do it via the preamp out...you are losing the power amp tone...
Dry amp - cab
Line out box between the two-line out to delay input(set it at killdry or 100%wet or you will have phase issues) one output to one wet amp(return) one to the other wet amp(return).
Welcome to the rabbit hole...
I'm trying to do option 2 with no success.If you want simple then you're barking up the wrong tree with W/D/W. One is a lot simpler than three.
I think the reason you're getting tripped up is because you're using the EVH pedal. The EVH pedal is designed for W/D/W, but it's designed for W/D/W with EVH amps, which are themselves designed for W/D/W. It functions as a three-way splitter, which is great, but unless you're using an EVH amp for your dry (or another amp with the same loop/master placement) you'll need to do some problem solving and likely need additional gear as well.
So there are two basic options on how to use the pedal with W/D/W.
1) The way Boss/EVH intended: Use an EVH head (or, again, another head configured the same way) for your dry signal, put the pedal in the loop and send the left and right outputs to the loop returns of three different amps.
2) The way Eddie did it: Line tap (with either your head's line out or a separate box), with the line-level signal going into the pedal, then out from the pedal into a stereo power amp.
Option #1 requires three heads and the EVH pedal. Presence and resonance controls can be used to shape the final sound, and you can mix different heads for different tonal effects, but the delays will be colored by the power amp distortion.
Option #2 requires only one head and the standard version of the pedal, but also needs a stereo power amp (or two mono power amps) and a line-tap if your dry amp doesn't have a line-out built in. The delays aren't colored by the power amp distortion.
If you're doing Option #1 with mismatched heads, that's where volume controls (like the JHS) get involved.