grooveHT
Well-known member
https://www.kemper-amps.com/products/us/profiler-player.htmlthis
this would work if you could design that sound in a pedal!
Still a kemper profile player... but in pedal format.
https://www.kemper-amps.com/products/us/profiler-player.htmlthis
this would work if you could design that sound in a pedal!
Would the Nux Plexi into my combo give me that tone or do you have to have other stuff in the chain?PT’s clip was great but every other clip out there i’ve seen or heard doesn’t even come close to eddie’s brown sound, and that’s the only reason i’d be interested in it. i’d really have to play one to hear in person and feel the response to make sure it has the proper bounce and dynamic.
if it doesn’t outperform my attenuated peacemaker with a cheap $50 nux plexi crunch pedal, there is no point.
the Lion in concept—capturing the accurate era of plexi amp, variac, eq and speakers in a small pedal—is very attractive.
other stuff too. i attenuated it with the rockcrusher, speaker out to one side of my stereo 4x12 and sent the line out to a delay/power amp for wet/dry.Would the Nux Plexi into my combo give me that tone or do you have to have other stuff in the chain?
if that was a normal pedal size and half the price i’d bite.https://www.kemper-amps.com/products/us/profiler-player.html
Still a kemper profile player... but in pedal format.
he’s cool but not the sound i’m going after
Trying to find a pedal to mimic VH I/ VHII isn’t going to happen. When I had my Peacemaker, it reminded me of VH II. I would crank that amp into a Power Station and get a great Boost pedal.both sound cool but it is making something apparent to me.
it’s weird but i seem to have a neurotic knee jerk disdain for having to interact with life sucking computers to play my guitar. it has always brought disappointment and obsolescence.
i LOATHE:
everything IR (though open to change)
super deep and complex menus
i just want a friggen standsrd mxr size pedal that can nail a 45 yr old vh brown tone and sounds good! two knobs would be perfect. maybe a mini toggle selector for VHI/VHII.
and if there us something computery happening in it, hide that crap! no usb, bluetooth, GUI screens, instruction manuals, crazy power supply requirements….
my take is that most people who are trying to get that early VH sound, are trying to do it at “bedroom volume” level. Which, is problematic at best.my response to that is if it’s so easy that any common stock marshall can achieve it,
why don’t more people chasing vh tone have it nailed? it’s definitely not just because of the “tone is in the hands” thing, which i agree to in part.
agreed and the pedal solution hasn’t happened, yet. the PM gets there and is my benchmark, but i’m just trying to get in that general zone with my rack and a pedal.Trying to find a pedal to mimic VH I/ VHII isn’t going to happen. When I had my Peacemaker, it reminded me of VH II. I would crank that amp into a Power Station and get a great Boost pedal.
Exactly Mr CarlF..............................Mentoneman you have the Peacemaker. Maybe install a Lar/Mar PPIMV using a PEC pot(it does make a difference) or use the Power Station as Carl suggested and maybe pick up one of these Atomic Overdrive pedals David Phillips uses in this video. With the two combined it will be the closest to EVH in a box that you will be able to get at lower volume levels. The Power station would give you the ability to tweak bass and presence further after you get it down to the volumes you want to play. I thought the Atomic overdrive sounds very good in David Phillips video below. I see in your post you have a Rivera Rockcrusher which I have as well and it works awesome, maybe pull two power tubes set your impedance to 8 if your speaker cabient is 16 ohms, this will give you 50 watts but your Peacemaker will still punch like a 100 watter. I do this on my 68 plexi to control volume and the amp still hits harder and bigger than my 72 50 watt Super Lead because the 100 watt OPT is bigger. Mojave installed a 100 watt OPT's in the Mojave scorpion for this very reason and it works. I would imagine the Atomic OD would give you infinite tweakability into your Peacmaker or if you have an EP3 preamp and EQ pedal like I do in the lower 69 amp video.Trying to find a pedal to mimic VH I/ VHII isn’t going to happen. When I had my Peacemaker, it reminded me of VH II. I would crank that amp into a Power Station and get a great Boost pedal.
i get it, but even eddie’s whole variac/reamp deal was born out if being too loud in the clubs. maybe i’m being too stubborn and the mxr evh overdrive has it in spades…my take is that most people who are trying to get that early VH sound, are trying to do it at “bedroom volume” level. Which, is problematic at best.
I don't know if you can get there with rack equipment with a standalone pedal platform since you want a MAIAB solution. You might get someting close with an ADA MP1 with some type of overdrive in front like the Atomic OD but I don't know if you can dial out the compression Langer built into those.agreed and the pedal solution hasn’t happened, yet. the PM gets there and is my benchmark, but i’m just trying to get in that general zone with my rack and a pedal.
Al could plug into the Boss Katana mini and it’s gonna nail Ed’s sound lol . He had a demo of MXR 5150 pedal years ago and sure enough it sounded like Ed’s tone , to my ears at leasti
tried that pedal long ago and it wasn’t what i was after.
That's not true, you do not have to variac or have the tubes burning to get into the ballpark. My 69 used the PPIMV, was biased at 50% dissipation and run on 120ACV wall voltage. I have to admit I was surpised how good it sounded at wall voltage and a colder bias compared to my 68 which I have to variac and pull two tubes and attenuate but the video shows it is possible.the truth is in order to currently get close to the vh tone i love, i have to smell tubes burning.
I don’t think the MXR 5150 sounds anything like EVH’s OG Marshall tone.(that’s what my ears hear)i get it, but even eddie’s whole variac/reamp deal was born out if being too loud in the clubs. maybe i’m being too stubborn and the mxr evh overdrive has it in spades…
the truth is in order to currently get close to the vh tone i love, i have to smell tubes burning.
Exactly Mr CarlF..............................Mentoneman you have the Peacemaker. Maybe install a Lar/Mar PPIMV using a PEC pot(it does make a difference) or use the Power Station as Carl suggested and maybe pick up one of these Atomic Overdrive pedals David Phillips uses in this video. With the two combined it will be the closest to EVH in a box that you will be able to get at lower volume levels. The Power station would give you the ability to tweak bass and presence further after you get it down to the volumes you want to play. I thought the Atomic overdrive sounds very good in David Phillips video below. I see in your post you have a Rivera Rockcrusher which I have as well and it works awesome, maybe pull two power tubes set your impedance to 8 if your speaker cabient is 16 ohms, this will give you 50 watts but your Peacemaker will still punch like a 100 watter. I do this on my 68 plexi to control volume and the amp still hits harder and bigger than my 72 50 watt Super Lead because the 100 watt OPT is bigger. Mojave installed a 100 watt OPT's in the Mojave scorpion for this very reason and it works. I would imagine the Atomic OD would give you infinite tweakability into your Peacmaker or if you have an EP3 preamp and EQ pedal like I do in the lower 69 amp video.
Although the Lar/Mar PPIMV can have some grainy artifacts at extremely low volumes at reasonable volume when installed with the PEC brand dual250K pot it is extremely linear and mostly artifact free at some pretty low volumes and you get all of the preamp and phase inverter overdrive that you get with a cranked plexi. If you don't want to install the PPIMV into stock Peacemaker then go the Power Station route Carl mentioned.
Here is a PEC Lar/Mar PPIMV installe in my 1969 Marshall NOS build Metro amp with modern iron and all NOS parts except the EH6ca7's and it is running on wall voltage. You can hear the string noise in the videos, in this video the PPIMV is set to 2, attentuator was set to 0DB attenuation.
Carl mentioned that his Peacemaker reminded him more of VHII....VHI has this ratty teeth to it and without getting into a rabbit hole discussion you can hear my 78 model sounding very very VHII like with my 69.....if you want sepcifically VH1 I highly recommend the Might Might 1400(9K) pickup, even if there is no proof of use this pickup delivers the ratty almost fuzzlike crunchy distorion that rides on the root notes of runs on VH1. The 78 model is still a great pickup and does a respectable VHI so YMMV.
There's a lot of that, and I don't understand it either.How are we supposed to judge the Quad Cortex when he is playing along with the actual soundtracks..................WTF???????? At least Jim Gaustad plays it straight up
I think already mentioned but the Wampler Pinnacle Deluxe. Better than the Atomic OD. It has that high-mid spike like a Marshall.your tone is cool and has some elements of the classic plexi sound i’m after, but between the off axis phone recording, the lower volume not driving the speaker hard and the fx not dialed in, it’s hard to tell and comes across more normal 70s/80s marshall than what i’m trying for. i don’t mean that disrespectfully or condescendingly it’s just what your recording sounds like to me and it’s probably infinitely cooler in the room.
i’ve gone through many pickups and speakers so that issue is settled for me.
If you are looking for something plug in to match the studio VH1 in a pedal it isn't going to happen, probably the closest would be the David Phillips setup or the complete package that Jim Gaustad had to put together with the whole Sunset Sound recording package if you want the finished album tones with the exact EQ, Reverbs and delays. We all know Ed's tone was the totality of alot of things in the signal chain.your tone is cool and has some elements of the classic plexi sound i’m after, but between the off axis phone recording, the lower volume not driving the speaker hard and the fx not dialed in, it’s hard to tell and comes across more normal 70s/80s marshall than what i’m trying for. i don’t mean that disrespectfully or condescendingly it’s just what your recording sounds like to me and it’s probably infinitely cooler in the room.
i’ve gone through many pickups and speakers so that issue is settled for me.