Re: Fascinating Topic over at Rig-Talk...
Mon Feb 17, 2020 10:50 am
what a crazy circus this entire thing is.
i've owned many Fortin modded marshall's, they sounded great.
I've always had a good relationship with Mike Fortin.
When he left Randall he was looking at possibly getting out of the music gear business.
I offered encouragement and even offered to help him finds jobs thru career headhunters etc.
It was a tough time for him and as a friend I tried to be supportive.
Then the pedals came and he bounced back. great for him.
I was always a Meshuggah fan and Mike knew that, when he handmade the first 6 meshuggah amps he offered me one, of course I bought it.
I paid $3600 ish after the smoke cleared.
It was underwhelming and I took it to Friedman for him to check out.
Friedman looked inside and said it was a "double Jose" made from $1400 in parts.
After years of doing video demos of Fortin's , being a staunch supporter and considering myself a friend of the guy , I realized that I may have overpaid for that amp and Mike was glad to take my money without any consideration for my efforts in promoting his brand.
I sold it for 3700 and got out of it. I wasn't happy. the truth is the amp was designed to be used a very specific way to get a sound for a specific band in a specific tuning with specific guitars, none of which was my intended use, but i still bristled a little at the lack of a discount or any consideration considering it was at best a $3k amp imho.
I never had a problem with Zack, but he turned on me in my own ESP Guitars Fanatics group on FB and started to attack me. I've been going to NAMM since the mid 90's (when he was a baby). I know people in a lot of companies and have many relationships that pre date his involvement in any music retail gear business. He was always the guy selling "artist" owned guitar from bands he would fanboy over. Never had a problem with him being a dickrider for these bands and always trying to align himself as an "insider" with the bands. Ive seen plenty of those cats who crave attention and association thru fanboyism. TO his credit, he parlayed that into the best gig of his life. He gets to say he "reps" Fortin amps at the height of their popularity! Is he the best person for the job, NOPE. But I bet it doesnt really pay a whole lot but gives him ACCESS and CLOUT which he has ALWAYS wanted to have. Unfortunately in my experience with him and watching his responses on some of the threads, He is completely unprofessional and imo not handling this with any real skill or the marks of someone experienced in the game of brand Public relations.
I make large and small scale video productions for manufacturers. Ex:
I have a lot more going behind the scenes than my shitty little lo-fi youtube channel that's only for hard core gear hounds.
Zack really has no idea the depth of my involvement in the business or my experience yet he tried to character attack me in MY group in front ESP Guitars top brass that all know me better!
It was pathetic and ended what I considered was a decent internet based "friendship". But now I got no love for Zack. He showed his true colors to me and from these threads he has been attacking Larry on, he has no class. Especially bringing Steve K into the mix, trying to lean on an old friend of mine's death for attack fuel on Larry. Its ugly and weak to do that.
Needless to say i'm happy that Mike Fortin found someone so desperate and hungry for clout and "power" in this space to help him market and hype his business. Mike makes gear people like and deserves all the success he can garner in a really tough business. I don't have to like Zack, but I'm glad Mike has help. i'm cool with Jason and anytime he comes to LA i'm always down to grab a bite and do some guitar safari.
all of that being said.
I have had a Larry on order for close to 16 months, Larry says I should have it by October of this year, a few months over the previous delivery date of june/july.
Larry has been responsive and communication has never been strained via FB messenger.
I don't have any problem with the deposit or the wait time. I have waited 12 months for an ESP custom shop, 11 months for a Jackson Custom shop, almost 2 years for a Ken Lawrence explorer...
you want boutique and rare, you gotta wait. I don't have a problem with the price either. i know Larry is making the amps by hand himself and his work looks incredibly clean. that's art to me.
i'm paying for the level of attention to detail and quality of sound. Hopefully it feels like $6k of tone.
My Ken Lawrence's both FEEL like they are worth every penny. They sound and play like a dream and I understand the value of the instrument is equal to the tag.
People are paying $6k and waiting for a relic'd TELECASTER from Fender...and for the most part...they end up being the best sounding telecasters!
Hopefully the Larry amp will have sound to match the wait and meets my expectations, if not it will find a new home and i will go back to any of the other amps I have.
Last edited by ADVGANG on Mon Feb 17, 2020 11:25 am, edited 2 times in tota