GJgo
Well-known member
Convergent evolution. Just like The Recto to the SLO.Uhm, you might get a call from The Offpring's legal team for that intro riff of 'The Machine'.
Convergent evolution. Just like The Recto to the SLO.Uhm, you might get a call from The Offpring's legal team for that intro riff of 'The Machine'.
Curious, what's your opinion on:Curious, have you ever played through a Mark VII through a real cab (like my Mesa 2X12 vertical)? I have one and it moves air just as expected. All of the Mark V's that I have played through sound too compressed, boxy, and are unimpressive. Maybe check your cab or settings. I think the Mark VII is Randall's masterpiece and sounds great.... It's not a one trick pony.
I'm dyingCurious, what's your opinion on:
a 20w amp vs a 100w amp?
I remember a RG 80es combo I had, and I didn't know how SS power sections worked vs tube....I plugged it into a 4 ohm cab and the vol doubled vs the 16 ohm cab I also had. But I agree, those amps punch above their wattage level.One of the punchiest amps I've ever played was actually solid state, the Randall rg100es thru two 4x12's, at about 4 on the master, it hits you in the chest hard with palm mutes... on another note I had the 300 watt Randall rg3003h solid state head but it had no punch at all, loud as fuck but no punch to it. So I agree that solid state amps generally have less punch to them I think there are a few exceptions out there, namely vintage solid state amps by Randall and Ampeg. Those Randall's sound like tube amps at volume actually, very very close IMO.
Ya, SS amps are the opposite of tube amps, they run more efficiently the lower the ohms. So it's generally best to run most of them into a 4 ohm load. I think that's why a lot of people think they are so underpowered compared to tube amps because they are running them into 16 ohm cabs?? So they're not getting the full wattage. A rg100es into a couple 8 ohm Mesa cabs (4 ohms) is fucking loud as fuck! As loud and punchy as most 100 watt tube amps I've played... they seriously move some air at full volume. The rg80es is great too, that's what Cantrell used in the early days of AIC, pre-facelift release (they were already playing those songs though). He always had a great tone with that amp.I remember a RG 80es combo I had, and I didn't know how SS power sections worked vs tube....I plugged it into a 4 ohm cab and the vol doubled vs the 16 ohm cab I also had. But I agree, those amps punch above their wattage level.
Cranking the presence helps, but to really get it to open up I've found you have to crank the channel volume up over 1:30 or so. Loud AF. So, maybe with an attenuator? Haven't tried that.Gjgo, I have a JP, and I’ve never played a real C+. The reissue just isn’t in my budget right now. Is there any way to get the feel of the JP closer to the bounciness of the real thing? I usually keep my channel volume around 9:30, but I find running the presence pulled around 3:00 helps give a more open feel.
Your making me want an rg80 nowYa, SS amps are the opposite of tube amps, they run more efficiently the lower the ohms. So it's generally best to run most of them into a 4 ohm load. I think that's why a lot of people think they are so underpowered compared to tube amps because they are running them into 16 ohm cabs?? So they're not getting the full wattage. A rg100es into a couple 8 ohm Mesa cabs (4 ohms) is fucking loud as fuck! As loud and punchy as most 100 watt tube amps I've played... they seriously move some air at full volume. The rg80es is great too, that's what Cantrell used in the early days of AIC, pre-facelift release (they were already playing those songs though). He always had a great tone with that amp.
Your making me want an rg80 now
Email or Call, super friendly folks, they'll open up a ticket for you
Maybe someone on here has a more direct way but when i wanted some info for my Mark V, i just reached out via email
Mbendinelli@mesaboogie.com, emailHow do you guys contact Mike B? I have an OG iic+ And I’d like to get the mid pull ++ option while I still can.
Definitely. And, this is exactly why players need to experience some amplifiers, rather than attempt to judge them from a recorded clip. Clips are great but, obviously, do not describe the whole experience of the amp. Part of what makes an amp great to me, is the punch...amps that sound great but don't punch don't last long here.I think the problem with the describing the "punch" from an amp lies in the ability to capture that for someone who you're trying to explain it to when you're not in the same room.
I'd also venture to say it lies more in the power amp section of an amp rather than the preamp section.
So if you could slave a non-punchy amp into a beefier power amp, you may get the punch that you are looking for.
Definitely. And, this is exactly why players need to experience some amplifiers, rather than attempt to judge them from a recorded clip. Clips are great but, obviously, do not describe the whole experience of the amp. Part of what makes an amp great to me, is the punch...amps that sound great but don't punch don't last long here.
Having a great power amp, like a Mesa S400 for example does allow for a great amp without punch, the ability to punch.
I've done this slaving 60 W Mark IIs and IIIs into a M180 power amp and it turns it into a CRUSHING experience. Shifts the mids, too. So, yes.I think the problem with the describing the "punch" from an amp lies in the ability to capture that for someone who you're trying to explain it to when you're not in the same room.
I'd also venture to say it lies more in the power amp section of an amp rather than the preamp section.
So if you could slave a non-punchy amp into a beefier power amp, you may get the punch that you are looking for.
I've done this slaving 60 W Mark IIs and IIIs into a M180 power amp and it turns it into a CRUSHING experience. Shifts the mids, too. So, yes.
That said, I set up a Helix through the same M180 and the push was not there. It was on par with a stock Mk VII.