simonfrewler
Active member
Everything you are saying points to string issue.
OK thank you . I don't have another set of spare strings at the moment so will order some more.Everything you are saying points to string issue.
OK, I have just read this and am trying to get my head around it.Another tip is to intonate from the 3 and 15th fret..
Allegedly it gives a better intonation across the whole fretboard.
Reference
Honestly, you don't have to go that Into it...unless you want to get stuck in an intonation/temperament rabbit hole of insanity.OK, I have just read this and am trying to get my head around it.
So I would get the 3rd fret in tune, then the 15th, and where they are both slightly out of tune I would tune to in the middle of them so the intonation is more accurate?
I hope I explained that correctly, it made sense in my head at least lol.
I think I will stick with the 12th fret then, as I do easily get obsessed with things, for example I started vaping in 2015 with box mods to quit smoking, I ended up with 42 different mods and over 100 tanks, was on a forum for it and getting free mods sent from China to review. Now I look back and think I was insane, I have all these mods that do pretty much exactly the same thing, why do I need 42?Honestly, you don't have to go that Into...unless you want to get stuck in an intonation/temperament rabbit hole of insanity.
Just do normal intonation as you know it, from the 3rd to the 15th
Most won't notice it.
If it bothers you, you won't be able to unheard it now....and eventually you'll end up with one of those fancy cursive fretboards that you see out there.
So there are 2 roads....simple easy.....or madness.
This. New strings.Hmm. I'd start with a new set of strings.
You usually don't hear about TOM nashville style bridges running out of intonation room. I've had to flip a saddle around on Les Pauls before for that reason but they were all ABR-1 bridges.
There’s also the EVH tuning offsets. Or the Buzz Feitin system.Honestly, you don't have to go that Into it...unless you want to get stuck in an intonation/temperament rabbit hole of insanity.
Just do normal intonation as you know it, from the 3rd to the 15th
Most won't notice it.
If it bothers you, you won't be able to unhear it now....and eventually you'll end up with one of those fancy cursive fretboards that you see out there.
So there are 2 roads....simple easy.....or madness.
That's what I used to do, intonate and tune guitars from frets other than open notes.Another tip is to intonate from the 3 and 15th fret..
Allegedly it gives a better intonation across the whole fretboard.
Reference