P
phil b
Well-known member
Man.. I woulda been wearing one PROUDLY if that was the case.. LOLDude if throwing on a pink thong with pansies and daffodils is the key to tone I might consider it
Man.. I woulda been wearing one PROUDLY if that was the case.. LOLDude if throwing on a pink thong with pansies and daffodils is the key to tone I might consider it
I still have my UX1 too ..... that was my initial " studio apt " rig .... the input jacks on it are toast though .... and I never opened it up to fix it ...I have been still looking for that damn UX-1 and I can't find it for shit
Ux-2 was gangsta. I still remember my settings for Pod Monkey/Farm. The key was to use the chorus pedal and split the output to 51%, it got thicc. I am on a mission to find it now.I still have my UX1 too ..... that was my initial " studio apt " rig .... the input jacks on it are toast though .... and I never opened it up to fix it ...
my bad ... I had the UX2 ... the bigger one
I agree with some of the previous comments. Try some plugins first and see how you gel with it.
If you’re not gigging there isn’t a whole lot of point in investing in a hardware modeller by now.
I used my UX2 forever .... I still have " the box " too .... lolUx-2 was gangsta. I still remember my settings for Pod Monkey/Farm. The key was to use the chorus pedal and split the output to 51%, it got thicc. I am on a mission to find it now.
Meh, you’ve insinuated it on more than one occasion. It’s ok man; DSLs are fine. Lots of pros use them because they DO sound good, and are cheap to replace IF something goes wrong or gets stolen.not sure when i ever said a DSL is "as good" as a plexi, what i say is the DSL is a fine versatile marshall that with a good boost hangs just fine with any of my "better" amps which ill stand by, and thats usually after you bash the DSL as some sort of mediocre amp. if you cant sound good through a DSL youre not gonna sound good through a plexi either
Meh, you’ve insinuated it on more than one occasion. It’s ok man; DSLs are fine. Lots of pros use them because they DO sound good, and are cheap to replace IF something goes wrong or gets stolen.
It’s like the final 10% or 2% difference in any amp comparison. Some feel that it’s a HUGE difference like me; others don’t.
Horses for courses.
KSR stuff is killer. When I first bought the Ceres I kept trying to figure out where the tubes were in it. I had an Orthos MK2 at the time and still found myself using the Ceres more. When Kyle told me about the Orion I was thinking it was going to be a ceres with a PA50 power section but no its all tube.I have heard nothing but good things about those dude.
I have taken the Ceres and Vesta and replaced the "amps" in my Fractal Audio devices (I still own them all) using the effects loop option on them and I was blown away at the difference of feel AND tone from using those two pedals over the amps.
Even though they sound great with IR's, I still prefer to use them without IR's and going direct into a tube power amp or return of a tube amp (so no need for the cab modeling).
You get that tube amp tone and feel that many people say is missing when you connect a modeler directly to a tube power amp.
grrr_me_scary, Donnie B, ClintN667, do you guys have a preference between the Vesta and the Ceres? I was planning on ordering one. I noticed on the KSR site it says "If you’re more at home on a 6 string, the Vesta may be your preference" and I just play 6 strings in E Standard, D Standard, and Drop C. Anything from 80s metal to melodic death.
I did come across this vid of this guitarist I like who uses the Ceres into his Axe Fx. I always like his tone, but it's also pretty wet and of course there are a lot of additional factors like what IRs he is using.
You should acquaint yourself with the " do you think modelers will get there in the next 10 years" thread from a couple of years ago. You would find some humor in it!Try it out, good to scratch the itch.
See you in two years when you've discovered 'it was really convenient and I had fun messing with the sounds, but I just miss the rawness and immediacy of a real amp.'