New Mesa Boogie Amp: Badlander Rectifier

  • Thread starter Thread starter Bxlxaxkxe
  • Start date Start date
Oh cool, so when people call you out on your internet tough guy routine, you gaslight them to make it seem like *they’re* the jerk.

I bet you’d make a great partner in a relationship.
I thought it was funny rather melodramatic and you made a very valid point

I use and like EL34’s in my Triple Rectifier Rev C/F myself, but would probably be happy with 6L6’s in it too and would still be able to make it work just fine with the little reduced mids of the 6L6’s. It all depends on the rest of the set up
 
Big Output Transformer on this one.. This supports their claims of tons of headroom. I wonder if this amp is influenced by the Deliverance?
 
These conversations always go the same way on new products. It’s like deja vu :cool:

It doesn’t matter what Mesa or any other company makes. They’ll get complaints regardless. Mesa could reissue the Rev C and people would complain it didn’t have a clean channel. They could make a Recto with modes that switched from Rev C - Rev G and everyone would say it isn’t the same without Schumachers. That’s just the modern, online guitar community. You’ll never please everyone.

That said, without going too far down the rabbit hole, amp manufacturers run a business. When it comes to R&D for new products, they have to look at market research and develop a product that straddles production cost with options offered and determine what things to include users will want/need to justify cost so it sits in a price region that makes sense in the market.

For example, could have included midi, it’s within their wheelhouse. But they have to ask themselves - what is the adverse impact of adding this option? How many users will require midi on a 2 channel amp? If we add midi and it drives up the cost of the amp by $300-$400, how will that impact sales?

And on it goes. It’s not a game of just adding options at random and hoping people like it. If they built this amp to the spec I’ve seen half of the people online wanting, it would probably drive up cost to over $3000 for additional options only a fraction of people would use and then sales would be adversely impacted because of it.

The irony of most of the commentary is that a lot of people are describing essentially a Road King with midi and IRs, though I’m sure if they did that and subsequently had to charge $3500 for it, most naysayers wouldn’t bought one anyway, and they would have just eaten into the sales they could have had if it was priced where it is.

Look at a company like Soldano, with the latest SLO 100. They’ve essentially repackaged the same amp they’ve been selling since the 1980s and charge almost double the cost of the Badlander. No midi, no modes, no crazy shit added. Why? Because they’ve made a market determination that they can sell them for $4000 as-is, and if they added the things people claim they wanted and had to charge $5500, they’d sell significantly less of them.

If you want a dedicated 16 ohm tap, get a box like shown above for next to nothing. My tech offered to make one for free the last time he serviced my old Super Lead. As far as midi, what do you want midi for, to change back and forth between 2 channels that any switch can do (and most effect processors have jacks for)? You want to pay $300-$400 more for that?

TL/DR version: Moral of the story - the R&D decisions of companies doesn’t revolve around your individual wants. They’re designed to provide a product they feel will have the most appeal to the most amount of people at a price point research tells them will sell. Mesa doesn’t care if not having midi stops you from buying one. They’ve already factored you into the equation, just like Soldano knows adding a few options for me won’t prompt me to shell out $5000 for one. They’ve already accounted for me.

If you’d rather have additional modes and the other options, then buy a MW instead. If you want midi on it, then just buy a mini amp gizmo on the cheap and you have instant midi at less cost than it would have been to implement midi on the amp :giggle: The only difference is you had the choice of whether you wanted to pay for it.
 
These conversations always go the same way on new products. It’s like deja vu :cool:

It doesn’t matter what Mesa or any other company makes. They’ll get complaints regardless. Mesa could reissue the Rev C and people would complain it didn’t have a clean channel. They could make a Recto with modes that switched from Rev C - Rev G and everyone would say it isn’t the same without Schumachers. That’s just the modern, online guitar community. You’ll never please everyone.

That said, without going too far down the rabbit hole, amp manufacturers run a business. When it comes to R&D for new products, they have to look at market research and develop a product that straddles production cost with options offered and determine what things to include users will want/need to justify cost so it sits in a price region that makes sense in the market.

For example, could have included midi, it’s within their wheelhouse. But they have to ask themselves - what is the adverse impact of adding this option? How many users will require midi on a 2 channel amp? If we add midi and it drives up the cost of the amp by $300-$400, how will that impact sales?

And on it goes. It’s not a game of just adding options at random and hoping people like it. If they built this amp to the spec I’ve seen half of the people online wanting, it would probably drive up cost to over $3000 for additional options only a fraction of people would use and then sales would be adversely impacted because of it.

The irony of most of the commentary is that a lot of people are describing essentially a Road King with midi and IRs, though I’m sure if they did that and subsequently had to charge $3500 for it, most naysayers wouldn’t bought one anyway, and they would have just eaten into the sales they could have had if it was priced where it is.

Look at a company like Soldano, with the latest SLO 100. They’ve essentially repackaged the same amp they’ve been selling since the 1980s and charge almost double the cost of the Badlander. No midi, no modes, no crazy shit added. Why? Because they’ve made a market determination that they can sell them for $4000 as-is, and if they added the things people claim they wanted and had to charge $5500, they’d sell significantly less of them.

If you want a dedicated 16 ohm tap, get a box like shown above for next to nothing. My tech offered to make one for free the last time he serviced my old Super Lead. As far as midi, what do you want midi for, to change back and forth between 2 channels that any switch can do (and most effect processors have jacks for)? You want to pay $300-$400 more for that?

TL/DR version: Moral of the story - the R&D decisions of companies doesn’t revolve around your individual wants. They’re designed to provide a product they feel will have the most appeal to the most amount of people at a price point research tells them will sell. Mesa doesn’t care if not having midi stops you from buying one. They’ve already factored you into the equation, just like Soldano knows adding a few options for me won’t prompt me to shell out $5000 for one. They’ve already accounted for me.

If you’d rather have additional modes and the other options, then buy a MW instead. If you want midi on it, then just buy a mini amp gizmo on the cheap and you have instant midi at less cost than it would have been to implement midi on the amp :giggle: The only difference is you had the choice of whether you wanted to pay for it.

Very well said.
 
What is the difference between 6CA7s and EL34s? Honest question.
I have a Plexi clone loaded with 6CA7s, and have plenty of EL34s on hand.
I suppose I could find out for myself.
But is it worth it? Are they that different?
I have some Sylvania 6CA7s here, not matched but close enough..to me they have deeper low end with EL34 mids but a bit less glassy top end than 34s. If that makes any sense. They are a drop in replacement for 34s. If you like 6L6s but have an EL34 amp these may be the perfect tube.
 
To this day, the best and most ferocious Mesa I have played was a trem o verb. It was a 97 I think? My god, it was huge sounding, tight, articulate and it was a combo in orangish leather with green lights. It was cool.

Trem o verbs, I have seen them out there for pretty cheap. Grab one of those! Unless mine was just a random extra good amp, I’m sure the others are also awesome.
 
These conversations always go the same way on new products. It’s like deja vu :cool:

It doesn’t matter what Mesa or any other company makes. They’ll get complaints regardless. Mesa could reissue the Rev C and people would complain it didn’t have a clean channel. They could make a Recto with modes that switched from Rev C - Rev G and everyone would say it isn’t the same without Schumachers. That’s just the modern, online guitar community. You’ll never please everyone.

That said, without going too far down the rabbit hole, amp manufacturers run a business. When it comes to R&D for new products, they have to look at market research and develop a product that straddles production cost with options offered and determine what things to include users will want/need to justify cost so it sits in a price region that makes sense in the market.

For example, could have included midi, it’s within their wheelhouse. But they have to ask themselves - what is the adverse impact of adding this option? How many users will require midi on a 2 channel amp? If we add midi and it drives up the cost of the amp by $300-$400, how will that impact sales?

And on it goes. It’s not a game of just adding options at random and hoping people like it. If they built this amp to the spec I’ve seen half of the people online wanting, it would probably drive up cost to over $3000 for additional options only a fraction of people would use and then sales would be adversely impacted because of it.

The irony of most of the commentary is that a lot of people are describing essentially a Road King with midi and IRs, though I’m sure if they did that and subsequently had to charge $3500 for it, most naysayers wouldn’t bought one anyway, and they would have just eaten into the sales they could have had if it was priced where it is.

Look at a company like Soldano, with the latest SLO 100. They’ve essentially repackaged the same amp they’ve been selling since the 1980s and charge almost double the cost of the Badlander. No midi, no modes, no crazy shit added. Why? Because they’ve made a market determination that they can sell them for $4000 as-is, and if they added the things people claim they wanted and had to charge $5500, they’d sell significantly less of them.

If you want a dedicated 16 ohm tap, get a box like shown above for next to nothing. My tech offered to make one for free the last time he serviced my old Super Lead. As far as midi, what do you want midi for, to change back and forth between 2 channels that any switch can do (and most effect processors have jacks for)? You want to pay $300-$400 more for that?

TL/DR version: Moral of the story - the R&D decisions of companies doesn’t revolve around your individual wants. They’re designed to provide a product they feel will have the most appeal to the most amount of people at a price point research tells them will sell. Mesa doesn’t care if not having midi stops you from buying one. They’ve already factored you into the equation, just like Soldano knows adding a few options for me won’t prompt me to shell out $5000 for one. They’ve already accounted for me.

If you’d rather have additional modes and the other options, then buy a MW instead. If you want midi on it, then just buy a mini amp gizmo on the cheap and you have instant midi at less cost than it would have been to implement midi on the amp :giggle: The only difference is you had the choice of whether you wanted to pay for it.
As much as I agree with all of this it is still fun to pontificate on a forum the What If's.
 
These conversations always go the same way on new products. It’s like deja vu :cool:

It doesn’t matter what Mesa or any other company makes. They’ll get complaints regardless. Mesa could reissue the Rev C and people would complain it didn’t have a clean channel. They could make a Recto with modes that switched from Rev C - Rev G and everyone would say it isn’t the same without Schumachers. That’s just the modern, online guitar community. You’ll never please everyone.

That said, without going too far down the rabbit hole, amp manufacturers run a business. When it comes to R&D for new products, they have to look at market research and develop a product that straddles production cost with options offered and determine what things to include users will want/need to justify cost so it sits in a price region that makes sense in the market.

For example, could have included midi, it’s within their wheelhouse. But they have to ask themselves - what is the adverse impact of adding this option? How many users will require midi on a 2 channel amp? If we add midi and it drives up the cost of the amp by $300-$400, how will that impact sales?

And on it goes. It’s not a game of just adding options at random and hoping people like it. If they built this amp to the spec I’ve seen half of the people online wanting, it would probably drive up cost to over $3000 for additional options only a fraction of people would use and then sales would be adversely impacted because of it.

The irony of most of the commentary is that a lot of people are describing essentially a Road King with midi and IRs, though I’m sure if they did that and subsequently had to charge $3500 for it, most naysayers wouldn’t bought one anyway, and they would have just eaten into the sales they could have had if it was priced where it is.

Look at a company like Soldano, with the latest SLO 100. They’ve essentially repackaged the same amp they’ve been selling since the 1980s and charge almost double the cost of the Badlander. No midi, no modes, no crazy shit added. Why? Because they’ve made a market determination that they can sell them for $4000 as-is, and if they added the things people claim they wanted and had to charge $5500, they’d sell significantly less of them.

If you want a dedicated 16 ohm tap, get a box like shown above for next to nothing. My tech offered to make one for free the last time he serviced my old Super Lead. As far as midi, what do you want midi for, to change back and forth between 2 channels that any switch can do (and most effect processors have jacks for)? You want to pay $300-$400 more for that?

TL/DR version: Moral of the story - the R&D decisions of companies doesn’t revolve around your individual wants. They’re designed to provide a product they feel will have the most appeal to the most amount of people at a price point research tells them will sell. Mesa doesn’t care if not having midi stops you from buying one. They’ve already factored you into the equation, just like Soldano knows adding a few options for me won’t prompt me to shell out $5000 for one. They’ve already accounted for me.

If you’d rather have additional modes and the other options, then buy a MW instead. If you want midi on it, then just buy a mini amp gizmo on the cheap and you have instant midi at less cost than it would have been to implement midi on the amp :giggle: The only difference is you had the choice of whether you wanted to pay for it.

Yeah people are gonna bitch about this and that, but you are being pretty dismissive and matter-of-fact by essentially saying "Sorry, this is just the way business works, and no one needs MIDI." In the end, it IS people like you and I that dictate the market, and we do it with our wallets. So anyone's opinion deserves to be considered...kinda like that every vote counts theory that seems to be flying out the window.

IMO your take is a depressing explanation/assumption of Mesa's strategy to essentially maximize profit. Certainly there is truth in this and it's aligned with the basics of capitalism, but you are missing the point of "prestige" and "allure" that companies can also build foundations upon. Some can do it purely with tone (so far not hearing it in this Recto but I digress), but most build great foundations through a combination of tone and features at a certain pricepoint. I'm not claiming to be "right" but my take is that Mesa saw a demand to make a tighter, modern Recto. Great, nice job. But then they said hey, let's push our CabClone into this thing but strip it down in the process to keep the cost the same. Again, that's fine BUT IMO not what I want to see from Mesa (and I own 2). When I see an amp built in 2020 going for upwards of 2k, and built by a prestigious company, I want more than just a 2 channel amp with a one button footswitch. Personally I could give two shits about a built in reactive load, but others like it so be it. My main point is that Mesa could have released this without the CabClone for $500 cheaper and totally obliterated that market segment, then down the road built a "sooped up" version and charged way more. Instead they went with the middle ground in an attempt to please the most people, but IMO that just makes it another middle of the road amp with the Mesa name on it.

One last thing about MIDI - obviously doing it right would be more than just switching channels. Think switching modes per channel at a minimum.
 
That Ola demo was so muffled. He usually mics up everything very well but this time it was a total bust IMO. Would have been better off using the CabClone IR. I'll bet Mesa wishes they could get a do over, especially for how many views he gets on his channel.

Maybe Mesa didn't want to do all of this with the classic Recto so they created this instead? Badlander? Sounds like a crappy 80's movie.

I'm not sure who will actual buy one at $2299!

https://www.sweetwater.com/store/de...boogie-rectifier-badlander-100-watt-tube-head
And those knobs really bother me... other than that, a new Mesa amp is out there in the wild. :rock:





Well... this sounds much better! Thanks for making a proper recording Mesa and showing off how good this thing actually sounds. We still need to talk about that name though. ;)
 
Remember when,.... "Midi is an old and odd way to control devices and won't be around long", ca. 1990?
 
Yeah people are gonna bitch about this and that, but you are being pretty dismissive and matter-of-fact by essentially saying "Sorry, this is just the way business works, and no one needs MIDI." In the end, it IS people like you and I that dictate the market, and we do it with our wallets. So anyone's opinion deserves to be considered...kinda like that every vote counts theory that seems to be flying out the window.

IMO your take is a depressing explanation/assumption of Mesa's strategy to essentially maximize profit. Certainly there is truth in this and it's aligned with the basics of capitalism, but you are missing the point of "prestige" and "allure" that companies can also build foundations upon. Some can do it purely with tone (so far not hearing it in this Recto but I digress), but most build great foundations through a combination of tone and features at a certain pricepoint. I'm not claiming to be "right" but my take is that Mesa saw a demand to make a tighter, modern Recto. Great, nice job. But then they said hey, let's push our CabClone into this thing but strip it down in the process to keep the cost the same. Again, that's fine BUT IMO not what I want to see from Mesa (and I own 2). When I see an amp built in 2020 going for upwards of 2k, and built by a prestigious company, I want more than just a 2 channel amp with a one button footswitch. Personally I could give two shits about a built in reactive load, but others like it so be it. My main point is that Mesa could have released this without the CabClone for $500 cheaper and totally obliterated that market segment, then down the road built a "sooped up" version and charged way more. Instead they went with the middle ground in an attempt to please the most people, but IMO that just makes it another middle of the road amp with the Mesa name on it.

One last thing about MIDI - obviously doing it right would be more than just switching channels. Think switching modes per channel at a minimum.

This entire post is full of a lot of “but they didn’t make it the way that I wanted it to be made!” As I stated above, the market and R&D decisions don’t revolve around you and your individual needs. Each company makes practical decisions and caters to who they believe will be the majority instead of front loading it with options that raise cost because of the minority.

If that’s how you feel, the solution is simple - don’t buy one. If Mesa has conducted a proper pre-market assessment, then they already knew you wouldn’t :cool:
 
Well... this sounds much better! Thanks for making a proper recording Mesa and showing off how good this thing actually sounds. We still need to talk about that name though. ;)
I agree...that sounds killer.

And, since I grew up in the 80s, they missed on the name. Should've been called....
:yes:
Highlander!
 
To this day, the best and most ferocious Mesa I have played was a trem o verb. It was a 97 I think? My god, it was huge sounding, tight, articulate and it was a combo in orangish leather with green lights. It was cool.

Trem o verbs, I have seen them out there for pretty cheap. Grab one of those! Unless mine was just a random extra good amp, I’m sure the others are also awesome.

Uh, man I miss my Tremoverb head with Vader 2x12 cab. Such killer non harsh/fizzy tones.

Looking forward to trying this amp when this nonsense ends.
 
  • Like
Reactions: LCW
And.... I always enjoy these reviews. I'm convinced that this amp can sound good but boy it must be a tough bugger to get mic'd correctly or something. It gets better towards the end with EQ.

 
Last edited:
  • Like
Reactions: LCW
Back
Top