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dcburn
Well-known member
I can hear now on my work computer.Bummer! Won’t let me listen to it.
I can hear now on my work computer.Bummer! Won’t let me listen to it.
I can hear now on my work computer.
I've wanted a black or a green one for a while.
I've playe one at the store, and they're fantastic. Great neck profile, they're plek'd, and they sound killer. If I were to get one, I'd probably swap that bridge BB for something hotter, but other than that, great guitars.
Yeah, I don't mean to say it because it doesn't sound good as is, but I'm kinda very specific as to what I'm looking for in pickups... but I go through phases, so if whenever I finally pull the trigger on a Classic I'm in the mood for something PAF-y, I'd probably keep it.I'm honestly surprised at how good the bridge pickup sounds
It's certainly not a tonenerd Roxy, or a wagner ironman, or a tone specific, but it's not bad by any stretch, and i'm probably in the top 1% of pickup nazis on RT
The low end is a little round and tele like and that's probably the biggest criticism I have of it - besides that, i'm really impressed
Everything else about this series, as you mentioned, is fantastic - especially for the money. The neck and frets are absolutely immaculate, and especially after some of my harrowing history with Gibson USA i'm really impressed and surprised
Yeah, I don't mean to say it because it doesn't sound good as is, but I'm kinda very specific as to what I'm looking for in pickups... but I go through phases, so if whenever I finally pull the trigger on a Classic I'm in the mood for something PAF-y, I'd probably keep it.
Contrary to what most people seem to think of Gibson pickups in this forum, I personally really like them. I've had good experiences with the 498T/490R, 500T, Burstbucker Pro, and BB 2 and 3. Whenenever I swap them out, it's not because I don't like them, but because I like to swap out pickups and try new ones every once in a while, or they're not what I'm looking for at that specific time.
I also think Gibson quality control gets a bad rep because there are a couple of bad examples here and there. And there shouldn't be at a guitar at that price point. But the majority of them are really great, especially since they plek them.
I do not understand Gibson's thinking behind the super low frets.
I actually prefer my 2022 Classic to my 2018 Standard. Just feels nicer. I have upgraded all the electronics though.The top, and the electronics, from what I can tell
I played them next to eachother and there wasn't a huge difference
I actually prefer my 2022 Classic to my 2018 Standard. Just feels nicer. I have upgraded all the electronics though.
Wolfetone DrVintage/ Marshallhead combo is an amazing set for Les Pauls if you're thinking of swapping them out.
Oh I definitely get it. I went further down the hole with strat pickups but the Marshallhead bridge pickup just does the hot PAF hard rock thing so good for me. I like the Custombuckers in my '58 RI for lower gain stuff too.Doesn't surprise me at all about the standard, in some ways I thought the classic was nicer too. It's weird with gibson USA, because their QC is so inconsistent for certain years, stuff like that happens all the time.
And as far as the pickups..... I'm pretty deep down the rabbit hole as far as Les Paul pickups.
The wolfetone stuff is nice (i've tried the timbre wolf and marshallhead) but I vastly prefer the Tonenerd Roxy as an LP bridge pickup by a country mile, and though the gap is slightly smaller I prefer the wagner godwood (for low to medium output tones) and wagner ironman (for high output tones) by a large margin as well - the Roxy especially just is in a different stratosphere for the tones I go for personally. Sucks about scott, but I'm glad he's living his best life in japan (pickin up navigators and shit, lucky bastard) even if I can't harass him for pickups all the time.
No shade though, the wolfetone stuff is nice - and definitely an upgrade over the 61's, i'm sure. I'm just waaaay deeper down the pickup rabbit hole/picky about les paul pickups because i've been gigging/playing LPs for so long, and gotten to A+B just about everything commonly found as a recommendation.
I just never play with fancy splits and switching crap and want to ride it out until the PCB inevitably craps out.
Oh I definitely get it. I went further down the hole with strat pickups but the Marshallhead bridge pickup just does the hot PAF hard rock thing so good for me. I like the Custombuckers in my '58 RI for lower gain stuff too.
I have two sets of Tom Holmes pickups I haven't decided what to put them in yet. Have you ever got to try his pickups? They're pretty highly recommended so hoping they're pretty solid. I'll have to check out some of the others you mentioned.
Awesome info, thanks for sharingIt's funny, with gear no matter how hard you try to avoid it, you always end up going down a handful of rabbit holes whether you like it or not
I've played a couple of sets of tom holmes but never owned them. They're interesting, and definitely really high quality, but more vintage than my normal interest range. They aren't exactly a reproduction of a vintage PAF (which, i've played a handful) but they are awesome and have their own thing going on. They have a very articulate high mids focus which works well with lower gain boomer tones. Vocal? Maybe? That might be the best way to describe it. They're really really nice, but way too polite for my general humbucker usage, which is why i've never taken the jump, along with the price.
I'm guessing they will probably replace your custombuckers for lower gain stuff - they really excel at that, and are super impressive in general for that type of pickup. Whether it's worth the cost? Well, like most things, that last like 10% of quality is not gonna be cheap.
As far as the other pickups I talked about, yeah if you haven't tried the wagner stuff you 100% should. Especially if you like "hot paf" type tones, although he makes a variety of them.
Scott's no longer making the Tonenerd stuff, but if it shows up used/on reverb that would definitely be something to jump on. He made a bunch of excellent models - the Roxy is just my personal favorite. A5, around 17k asymmetrical... it sounds like it would be too hot and get into the "flat" zone most high output humbuckers get into, but it just doesn't.
Awesome info, thanks for sharing